On entering the temple by the front door, I found on the right a side door, leading towards a large theatre (h), on the side of the hill, and at about sixty paces distant from the temple. It fronts the town, so that the spectators seated upon the highest row of benches, enjoyed the prospect of all its principal buildings and quarters. There are twenty- eight rows of seats, upwards of two feet in breadth: between the sixteenth and seventeenth rows, reckoning from the top, a tier of eight boxes or small apartments intervenes, each separated from the other by a thick wall. The uppermost row of benches is about one hundred and twenty paces in circuit. In three different places are small narrow staircases opening into the rows, to facilitate the ingress or egress of the spectators. In front, the theatre is closed by a proscenium or wall, about forty paces in length, embellished within by five richly decorated niches, connected with each other by a line of middling sized columns; of which two remain with their entablatures, and six without their capitals. Within these was another parallel range of columns, of which five are yet standing, with their entablatures. The entrance to the theatre, was by steps between the two ends of the proscenium and the two extremities of the semicircle. Near the proscenium the steps on both sides are ruined, but in the other parts they are perfect. The town wall runs very near the back of the theatre. On this side of the town there are no other ruins of any consequence, excepting the south-west gate, which is about five minutes walk from the semicircle of columns: it is a fine arch, and, apparently, [p.259] in perfect preservation, with a smaller one on each side adorned with several pilasters. I did not examine it closely; meaning to return to it in taking a review of what I had already seen, but my guides were so tired with waiting, that they positively refused to expose their persons longer to danger, and walked off, leaving me the alternative of remaining alone in this desolate spot, or of abandoning the hope of correcting my notes by a second examination of the ruins.