Returning from the theatre, through the long street, towards the four cubic pedestals, I continued from thence in a straight line along the main street (l), the pavement of which is preserved in several places. On the right hand, were first seven columns, having their entablatures; and farther on, to the left, seven others, also with their entablatures; then, on the right, three large columns without entablatures, but with pedestals, which none of those already mentioned have; opposite to the latter, on the left hand side of the street, are two insulated columns. The three large columns are equal in size to those of the peristyle of the temple (a); they stand in the same line with the colonnade of the street, and belonged to a small building (m), of the body of which nothing remains except the circular back wall, containing several niches, almost in complete ruins. On a broken pedestal lying on the ground between two of the columns of this building, is the following inscription: [Greek]. There is another stone with an inscription upon it; but I could make nothing of it. The street is here choaked up with fragments of columns. Close to the three columns stands a single one, and [p.260] at a short distance further, to the left, is a large gateway (n), leading up to the temple (a), which is situated on considerably higher ground, and is not visible from the street. On either side of the gateway are niches; and a wall, built of middling sized square stones, which runs for some distance, parallel with the street. Among a heap of stones lying under the gate I copied the following inscriptions: From a broken stone: [Greek]. The letters of the word OPNHA are five inches in length. Upon another broken stone near it was this: [Greek]. And close to the latter, upon the edge of a large stone, this: [Greek]. Continuing along the main street, I came at (q), to a single column, and then to two with entablatures, on the right; opposite to them, on the left, are three single columns. Beyond the latter, for one hundred paces, all the columns have fallen; I then came to an open rotunda (r), with four entrances; around the inside of its wall are projecting pedestals for statues; the entraces on the right