On a French road, there is more necessity than objects for this exercise of the imagination. A French road is like a garden in the old French style. It is seldom either more or less than a straight line ruled from one end of the kingdom to the other. There are no angles, no curvatures, no hedges; one league is the exact counterpart of another; instead of hedges, are railings, and which are generally in a condition to give the country not only a naked, but even a slovenly, ruinous appearance. Imagine a road made over an heath, and each side of it fenced off by a railing of old hurdles, and you will have no imperfect idea of a French great road. Within a mile, indeed, of the neighbourhood of a principal town, the prospect usually varies and improves. The road is then planted on each side, and becomes a beautiful avenue through lofty and shady trees. This description, however, will only apply to the great roads. Some of the cross and country roads, as I shall hereafter have occasion to mention, not only equal, but greatly exceed, even the English roads, in natural beauty and scenery. In the course of the road between Amiens and Clermont, I had again too frequent opportunity to remark the slovenly management of the French farmers, as compared with those of England, and even with those of America. In America, the farmers are not without a very sufficient excuse. The scarcity of hands, the impossibility of procuring labourers at any price, compel an American farmer to get in his harvest as he can, to collect the crop of one field hastily, and then fly to another. In France there is no such excuse, and therefore there should be no such slovenly waste. Yet in some of the hay-fields which I passed, at least one-fifth _of_ the crop was lying scattered on the roads and in the fields. The excuse was, that the cattle would eat it, and that they might as well have it one way as another. It would be folly to say any thing as to such an argument; yet in these very fields the labour was so plentiful and minute, that the greater part of the crop was carried from the fields on the shoulders of the labourers, men, women, and boys. It is difficult to reconcile such inconsistencies.