Louis the Fourteenth held his court in this castle for some years; and from respect to his memory, the apartment in which he slept and held his levee, is still retained in the same condition in which it was left by that Monarch. This chamber is a room nearly thirty yards in length by eighteen in width, and lofty in proportion: the windows like those of a church. On the further extremity is a raised floor, where stands the royal bed of purple velvet and gold, lined with white satin painted in a very superior style. The colours, both of the painting and the velvet, still remain; and two pieces of coarse linen are shewed as the royal sheets. The counterpane is of red velvet, embroidered as it were with white lace, and with a deep gold fringe round the edges: this is likewise lined with white satin, and marked at the corners with a crown and fleur de lys. On each side of the bed are the portraits of Louis the Fourteenth and Fifteenth, of Philip the Fourth of Spain, and of his Queen. The portrait of Louis the Fourteenth more peculiarly attracted my attention, having been mentioned by several historians to be the best existing likeness of that celebrated Monarch. If Louis resembled his picture, he was much handsomer than he is described to have been by the memoir-writers of his age: his countenance has an air of much haughtiness and self-confidence, but without any mixture of ill-humour. The chief peculiarity in his habit was a deep lace ruff, and a doublet of light blue, very nearly resembling the jacket of the English light cavalry. This portrait was taken when the King was in his twenty-eighth year, and therefore is probably a far more correct resemblance than those which were taken at a more advanced period--so true is the assertion, of the poet, that old men are all alike. Immediately over that line of the apartment where the raised floor terminates, is a gilded rod extending along the ceiling. When the King held his court at Rambouillet, a curtain only separated his chamber and the levee-room. In the latter room are several portraits of the Peers of France during the reign of Louis the Fifteenth, with those of some Spanish Grandees. We visited several other rooms, all of them magnificently furnished, and all the furniture apparently of the same aera. The grand saloon appeared to me to be the largest room I had ever seen; the floor is of white marble, as are likewise two ranges of Corinthian pillars on each side of the apartment. Its height, however, is not proportioned to its length, a defect which, added to its narrowness, gives it the air of a gallery rather than of a banquetting-room.