Travels to Tana and Persia : $b A narrative of Italian travels in Persia, in the 15th and 16th centuriesBarbaro, Giosofat
History
Travels to Tana and Persia : $b A narrative of Italian travels in Persia, in the 15th and 16th centuries
Barbaro, Giosofat
Iran -- Description and travel; Voyages and travels
Two days’ journey from Orfà is a castle named Jumilen,[546] which is on
a mountain, with walls not very strong, and with a small fosse dug out
of the rock. Round the castle is a town of houses dug into the mountain
like grottoes, in which the peasants live: a low race like gipsies. This
district is very arid, and has no water; but in the grottoes they have
excavated they have made deep reservoirs, which they fill with water in
the spring, and which serve them the whole year. Three days’ journey from
this castle is the great city of Caramit,[547] which, according to their
chronicles, was built by the Emperor Constantine, and has a circuit of
ten or twelve miles.[548] It is surrounded by walls of black stone, so
placed, that it appears painted, and has in the whole circumference three
hundred and sixty towers and turrets. I rode the whole circuit twice
for my pleasure, looking at the towers and turrets of very different
forms and sizes;[549] still no one who is not a geometrician would not
be pleased to see them, so marvellous are the structures; and in several
parts on them I saw the imperial arms carved with an eagle with two heads
and two crowns.[550] In this city are many wonderful churches, palaces,
and marble monuments, inscribed with Greek letters. The churches are
about the size of that of SS. Giovanni and Paulo or the Frati Minori at
Venice. And in many of them are relics of saints and particularly of
Saint Quirinus, which, at the time the Christians had the upper hand,
were shown openly; and in the church of St. George I saw the arm of a
saint in a case of silver, which they say was the arm of St. Peter,
and which they keep with great reverence. In this church is also the
tomb of Despinacaton,[551] the daughter of the King of Trebizond, named
Caloianni,[552] who is meanly buried under a portico near the door of
the church in the earth, and above the tomb is a thing like a box one
cubit high and one wide and about three in length, built of bricks and
earth. There is also a church of St. John, beautifully built, and several
others of great beauty and splendour; and while I remember, I must not
pass over one of them named the church of St. Mary, the account of which
will interest my readers. It is a large edifice,[553] with sixty altars,
as one sees before chapels; the interior is built up with vaults, and
the vaults are supported by more than three hundred columns. There are
also vaults above vaults, equally supported by columns; and, as far as I
could judge, this church was never covered in, in the middle, as taking
into consideration the mode of its erection, and, above all, the sacred
christening font, which I saw was in the open air. This baptismal font
is situated in the middle of the church, and is of fine alabaster, made
like an immense mastebe,[554] carved inside with various designs and most
splendidly worked. It is covered by a magnificent block of the finest
Public-domain text, read in full here on John Shaqi.
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