He stood up in the boat and again reconnoitered; he was near the shore. The country slept under the stars, gray rollings of hills and black blotches of trees, very still in its somber repose. Dropping back to the seat, he plied the paddle with extraordinary softness, wary, listening, alert. Soon, in a week or two, if he could settle the sale, he would be on his way to San Francisco to tell Pancha he had sold his claim at last and had bought the ranch. Under his caution the pleasure of this thought pervaded him with an exquisite satisfaction. He could not forbear its indulgence and, leaning on the paddle, allowed himself a last, delightful vision--the ranch house piazza with Pancha--her make-up off--sitting on the steps at his feet. That night he slept in the cowshed of an abandoned ranch. A billet of wood under his head, his repose was deep and dreamless, but in the dawn's light he woke, suddenly called out of slumber by a thought. It floated on the surface of his conciousness, vaguely disturbing, then took slow shape and he sat up feeling in the pockets of his coat. The paper was gone; Knapp saying he had taken it was not a dream. For a space he sat, coming to clearer recollection, his partner's voice calling, vaguely heard, its request unheeded in his preoccupation. He gave a mutter of relief, and dropping back settled himself into comfort. The paper was as safe there as in his own pocket and he'd have it again inside of a week. With the first light in his eyes, he lapsed off again for another hour. CHAPTER III MARQUIS DE LAFAYETTE A few miles below where the stage was held up a branch road breaks from the main highway and cuts off at right angles across the plain. This is a ranchers' road. If you follow it southward you come to the region of vast holdings, acres of trees in parallel lines as straight as if laid with a tape measure, great, fawn-colored fields, avenues of palm and oleander leading to white houses where the balconies have striped awnings and people sit in cushioned wicker chairs. The other end of it runs through lands of decreasing cultivation till--after it passes Tito Murano's cottage--it dips to the tules and that's the end of it. To be sure, a trail--a horse path--breaks away and makes a detour round the head of the marshes, but this is seldom used, a bog in winter and in summer riven with dried water-courses and overgrown with brambles. To get around the tules comfortably you have to strike farther in and that's a long way.