In school, he finds himself in a dual world, under two dispensations. There is the world of the boys, where the point of honor is to be untameable, always ready to fight, ruthless in taking the conceit out of anyone who ventures to give himself airs of superior knowledge or taste, and generally to take Lucifer for one's model. And there is the world of the masters, the world of discipline, submission, diligence, obedience, and continual and shameless assumption of moral and intellectual authority. Thus the schoolboy hears both sides, and is so far better off than the homebred boy who hears only one. But the two sides are not fairly presented. They are presented as good and evil, as vice and virtue, as villainy and heroism. The boy feels mean and cowardly when he obeys, and selfish and rascally when he disobeys. He looses his moral courage just as he comes to hate books and languages. In the end, John Ruskin, tied so close to his mother's apron-string that he did not escape even when he went to Oxford, and John Stuart Mill, whose father ought to have been prosecuted for laying his son's childhood waste with lessons, were superior, as products of training, to our schoolboys. They were very conspicuously superior in moral courage; and though they did not distinguish themselves at cricket and football, they had quite as much physical hardihood as any civilized man needs. But it is to be observed that Ruskin's parents were wise people who gave John a full share in their own life, and put up with his presence both at home and abroad when they must sometimes have been very weary of him; and Mill, as it happens, was deliberately educated to challenge all the most sacred institutions of his country. The households they were brought up in were no more average households than a Montessori school is an average school. The Comings of Age of Children