Tremendous TriflesChesterton, G. K. (Gilbert Keith)
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Tremendous Trifles
Chesterton, G. K. (Gilbert Keith)
English essays
I grant that those who have serious wrongs have a real right to grumble,
so long as they grumble about something else. It is a singular fact that
if they are sane they almost always do grumble about something else. To
talk quite reasonably about your own quite real wrongs is the quickest
way to go off your head. But people with great troubles talk about
little ones, and the man who complains of the crumpled rose leaf very
often has his flesh full of the thorns. But if a man has commonly a very
clear and happy daily life then I think we are justified in asking
that he shall not make mountains out of molehills. I do not deny that
molehills can sometimes be important. Small annoyances have this
evil about them, that they can be more abrupt because they are more
invisible; they cast no shadow before, they have no atmosphere. No
one ever had a mystical premonition that he was going to tumble over a
hassock. William III. died by falling over a molehill; I do not suppose
that with all his varied abilities he could have managed to fall over a
mountain. But when all this is allowed for, I repeat that we may ask
a happy man (not William III.) to put up with pure inconveniences,
and even make them part of his happiness. Of positive pain or positive
poverty I do not here speak. I speak of those innumerable accidental
limitations that are always falling across our path--bad weather,
confinement to this or that house or room, failure of appointments
or arrangements, waiting at railway stations, missing posts, finding
unpunctuality when we want punctuality, or, what is worse, finding
punctuality when we don’t. It is of the poetic pleasures to be drawn
from all these that I sing--I sing with confidence because I have
recently been experimenting in the poetic pleasures which arise
from having to sit in one chair with a sprained foot, with the only
alternative course of standing on one leg like a stork--a stork is a
poetic simile; therefore I eagerly adopted it.
Public-domain text, read in full here on John Shaqi.
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