Detective and mystery stories; Trent, Philip (Fictitious character) -- Fiction
This woman seemed to Trent, whose training had taught him to live in
his eyes, to make the most beautiful picture he had ever seen. Her face
of southern pallor, touched by the kiss of the wind with colour on the
cheek, presented to him a profile of delicate regularity in which there
was nothing hard; nevertheless the black brows bending down toward the
point where they almost met gave her in repose a look of something like
severity, strangely redeemed by the open curves of the mouth. Trent
said to himself that the absurdity or otherwise of a lover writing
sonnets to his mistress’s eyebrow depended after all on the quality of
the eyebrow. Her nose was of the straight and fine sort, exquisitely
escaping the perdition of too much length, which makes a conscientious
mind ashamed that it cannot help, on occasion, admiring the tip-tilted.
Her hat lay pinned to the grass beside her, and the lively breeze
played with her thick dark hair, blowing backward the two broad
bandeaux that should have covered much of her forehead, and agitating a
hundred tiny curls from the mass gathered at her nape. Everything about
this lady was black, from her shoes of suede to the hat that she had
discarded; lustreless black covered her to her bare throat. All she
wore was fine and well put on. Dreamy and delicate of spirit as her
looks declared her, it was very plain that she was long-practised as
only a woman grown can be in dressing well, the oldest of the arts, and
had her touch of primal joy in the excellence of the body that was so
admirably curved now in the attitude of embraced knees. With the
suggestion of French taste in her clothes, she made a very modern
figure seated there, until one looked at her face and saw the glow and
triumph of all vigorous beings that ever faced sun and wind and sea
together in the prime of the year. One saw, too, a womanhood so unmixed
and vigorous, so unconsciously sure of itself, as scarcely to be
English, still less American.
Trent, who had halted only for a moment in the surprise of seeing the
woman in black, had passed by on the cliff above her, perceiving and
feeling as he went the things set down. At all times his keen vision
and active brain took in and tasted details with an easy swiftness that
was marvellous to men of slower chemistry; the need to stare, he held,
was evidence of blindness. Now the feeling of beauty was awakened and
exultant, and doubled the power of his sense. In these instants a
picture was printed on his memory that would never pass away.
Public-domain text, read in full here on John Shaqi.
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