American fiction -- 19th century; Short stories; Western stories
For an instant that awe with which absolute helplessness invests the
sleeping and dead was felt by both husband and wife. Only the upper part
of the sleeper's face was visible above the bedclothes, held in position
by a thin white nervous hand that was encircled at the wrist by a
ruffle. Seth stared. Short brown curls were tumbled over a forehead damp
with the dews of sleep and exhaustion. But what appeared more singular,
the closed eyes of this vessel of wrath and recklessness were fringed
with lashes as long and silky as a woman's. Then Mrs. Rivers gently
pulled her husband's sleeve, and they both crept back with a greater
sense of intrusion and even more cautiously than they had entered. Nor
did they speak until the door was closed softly and they were alone on
the landing. Seth looked grimly at his wife.
“Don't look much ez ef he could hurt anybody.”
“He looks like a sick man,” returned Mrs. Rivers calmly.
The unconscious object of this criticism and attention slept until late;
slept through the stir of awakened life within and without, through the
challenge of early cocks in the lean-to shed, through the creaking
of departing ox teams and the lazy, long-drawn commands of teamsters,
through the regular strokes of the morning pump and the splash of water
on stones, through the far-off barking of dogs and the half-intelligible
shouts of ranchmen; slept through the sunlight on his ceiling, through
its slow descent of his wall, and awoke with it in his eyes! He woke,
too, with a delicious sense of freedom from pain, and of even drawing
a long breath without difficulty--two facts so marvelous and dreamlike
that he naturally closed his eyes again lest he should waken to a world
of suffering and dyspnoea. Satisfied at last that this relief was real,
he again opened his eyes, but upon surroundings so strange, so wildly
absurd and improbable, that he again doubted their reality. He was
lying in a moderately large room, primly and severely furnished, but
his attention was for the moment riveted to a gilt frame upon the wall
beside him bearing the text, “God Bless Our Home,” and then on another
frame on the opposite wall which admonished him to “Watch and Pray.”
Beside them hung an engraving of the “Raising of Lazarus,” and a
Hogarthian lithograph of “The Drunkard's Progress.” Mr. Hamlin closed
his eyes; he was dreaming certainly--not one of those wild, fantastic
visions that had so miserably filled the past long nights of pain and
suffering, but still a dream! At last, opening one eye stealthily, he
caught the flash of the sunlight upon the crystal and silver articles
of his dressing case, and that flash at once illuminated his memory. He
remembered his long weeks of illness and the devotion of Dr. Duchesne.
He remembered how, when the crisis was past, the doctor had urged a
complete change and absolute rest, and had told him of a secluded rancho
in some remote locality kept by an honest Western pioneer whose family
he had attended.
Public-domain text, read in full here on John Shaqi.
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