American fiction -- 19th century; Short stories; Western stories
He remembered his own reluctant assent, impelled by
gratitude to the doctor and the helplessness of a sick man. He
now recalled the weary journey thither, his exhaustion and the
semi-consciousness of his arrival in a bewildering wind on a shadowy
hilltop. And this was the place!
He shivered slightly, and ducked his head under the cover again. But the
brightness of the sun and some exhilarating quality in the air tempted
him to have another outlook, avoiding as far as possible the grimly
decorated walls. If they had only left him his faithful servant he
could have relieved himself of that mischievous badinage which always
alternately horrified and delighted that devoted negro. But he was
alone--absolutely alone--in this conventicle!
Presently he saw the door open slowly. It gave admission to the small
round face and yellow ringlets of a little girl, and finally to her
whole figure, clasping a doll nearly as large as herself. For a moment
she stood there, arrested by the display of Mr. Hamlin's dressing case
on the table. Then her glances moved around the room and rested upon the
bed. Her blue eyes and Mr. Hamlin's brown ones met and mingled. Without
a moment's hesitation she moved to the bedside. Taking her doll's hands
in her own, she displayed it before him.
“Isn't it pitty?”
Mr. Hamlin was instantly his old self again. Thrusting his hand
comfortably under the pillow, he lay on his side and gazed at it long
and affectionately. “I never,” he said in a faint voice, but with
immovable features, “saw anything so perfectly beautiful. Is it alive?”
“It's a dolly,” she returned gravely, smoothing down its frock and
straightening its helpless feet. Then seized with a spontaneous idea,
like a young animal she suddenly presented it to him with both hands and
said,--
“Kiss it.”
Mr. Hamlin implanted a chaste salute on its vermilion cheek. “Would you
mind letting me hold it for a little?” he said with extreme diffidence.
The child was delighted, as he expected. Mr. Hamlin placed it in a
sitting posture on the edge of his bed, and put an ostentatious paternal
arm around it.
“But you're alive, ain't you?” he said to the child.
This subtle witticism convulsed her. “I'm a little girl,” she gurgled.
“I see; her mother?”
“Ess.”
“And who's your mother?”
“Mammy.”
“Mrs. Rivers?”
The child nodded until her ringlets were shaken on her cheek. After
a moment she began to laugh bashfully and with repression, yet as
Mr. Hamlin thought a little mischievously. Then as he looked at her
interrogatively she suddenly caught hold of the ruffle of his sleeve.
“Oo's got on mammy's nighty.”
Mr. Hamlin started. He saw the child's obvious mistake and actually felt
himself blushing. It was unprecedented--it was the sheerest weakness--it
must have something to do with the confounded air.
Public-domain text, read in full here on John Shaqi.
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