"But Cris has no right to inherit Trevlyn over me."
"He has legal right, I suppose," answered George; "at least, he will
have it. Make the best of it, Ru. There are lots of things I have to
make the best of. I had a caning yesterday for another boy, and I had to
make the best of that."
Rupert still looked up at the sky. "If it were not for Aunt Edith,"
quoth he, "I'd run away."
"You little stupid! Where would you run to?"
"Anywhere. Mr. Chattaway gave me no dinner to-day."
"Why not?"
"Because Cris carried a tale to him. But it was false, George."
"Did you tell Chattaway it was false?"
"Yes. But where's the use? He always believes Cris before me."
"Have you had no dinner?"
Rupert shook his head. "I took some bread off the tray as they were
carrying it through the hall. That's all I have had."
"Then I'd advise you to make double haste home to your tea," said
George, jumping over the stile, "as I am going to do to mine."
George ran swiftly across the back fields towards his home. Looking
round when he was well on his way, he saw Rupert still leaning on the
stile with his face turned upward.
Meanwhile the little tatterdemalion had scuffled along to Trevlyn
Farm--a very moderately-sized house with a rustic porch covered with
jessamine, and a large garden, more useful than ornamental, intervening
between it and the high-road. The garden path, leading to the porch, was
straight and narrow; on either side rose alternately cabbage-rose trees
and hollyhocks. Gooseberries, currants, strawberries, raspberries, and
other plain fruit-trees grew amidst vegetables of various sorts. A
productive if not an elegant garden. At the side of the house the
fold-yard palings and a five-barred gate separated it from the public
road, and behind the house were the barns and other outdoor buildings
belonging to the farm.
From the porch the entrance led direct into a room, half sitting-room,
half kitchen, called "Nora's room." Nora generally sat in it; George and
his brother did their lessons there; the actual kitchen being at the
back of it. A parlour opening from this room on the right, whose window
looked into the fold-yard, was the general sitting-room. The best
sitting-room, a really handsome apartment, was on the other side of the
house. As the girl scuffled up to the porch, an active, black-eyed,
talkative little woman, of five or six-and-thirty saw her approaching
from the window of the best kitchen. That was Nora. What with her ragged
frock and tippet, broken straw bonnet, and slipshod shoes, the child
looked wretched enough. Her father, Jim Sanders, was carter to Mr. Ryle.
He had been at home ill the last day or two; or, as the phrase ran in
the farm, was "off his work."
"If ever I saw such an object!" was Nora's exclamation. "How _can_ her
mother keep her in that state? Just look at Letty Sanders, Mrs. Ryle!"
Public-domain text, read in full here on John Shaqi.
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