Trilbyana: The Rise and Progress of a Popular NovelGilder, Joseph Benson
History
Trilbyana: The Rise and Progress of a Popular Novel
Gilder, Joseph Benson
Du Maurier, George, 1834-1896. Trilby
"Many patients will thus repeat accurately what is spoken in _any_
language; and they may be also able to sing correctly and simultaneously
both words and music of songs in any language which they have never
heard before--_i. e._, they catch the words as well as music so
instantaneously as to accompany the other singer as if both had been
previously equally familiar with both words and music. In this manner a
patient of mine, who, when awake, knew not the grammar of even her own
language, and who had very little knowledge of music, was enabled to
follow Mlle. Jenny Lind correctly in songs in different languages,
giving both words and music _so correctly and so simultaneously with
Jenny Lind_, that two parties in the room could not for some time
imagine that there were two voices, so perfectly did they accord, both
in musical tone and vocal pronunciation of Swiss, German and Italian
songs. She was equally successful in accompanying Mlle. Lind in one of
her extemporaneous effusions, which was a long and extremely difficult
elaborate chromatic exercise, which the celebrated cantatrice tried by
way of taxing the powers of the somnambulist to the utmost. When awake
the girl durst not even _attempt_ to do anything of the sort; and, after
all, wonderful as it was, it was _only phonic imitation_, for she did
not understand the meaning of a single word of the foreign language
which she had uttered so correctly."
* * * * *
(_Miss Frances Albert Doughty, in The Critic, 15 June, 1895._)
"The strength of 'Trilby' as a novel lies in the exquisitely dear
realization of the good in the girl's nature, which the fine art of the
author has been able to give to the reader. The divine in the Laird, in
Taffy and in Little Billee responded to the divine in that undeveloped
girl, and to them the angel in her was the real Trilby in spite of all
her past experience. But idealism and realism in this charming story are
not quite happily balanced: the reader receives a blow on the spiritual
side of his being from the manifestation of an agency in the universe
that is endowed with an all-conquering malevolence, something extraneous
from the individual and yet able to arrest in her the growth of the
budding germ of holiness and moral beauty, a power triumphant even at
the moment when her spirit was about to return to the God who gave it.
Without Svengali there would be no novel of Trilby; nevertheless, he is
the sole blot upon it."
* * * * *
(_San Francisco Argonaut_)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account