Trilbyana: The Rise and Progress of a Popular Novel — John Shaqi
Trilbyana: The Rise and Progress of a Popular NovelGilder, Joseph Benson
History
Trilbyana: The Rise and Progress of a Popular Novel
Gilder, Joseph Benson
Du Maurier, George, 1834-1896. Trilby
Dr. Thomas Dunn English wrote the words of "Ben Bolt" in New York, in
1842, when he was a young man of three-and-twenty. Mr. N. P. Willis had
asked him to write a sea-song for _The New Mirror_, and so he wound up
the last stanza with an allusion to "the salt-sea gale!" As a sea-song,
"Ben Bolt" is not a success; but it has been sung on every sea and in
every land where the English tongue is spoken. At Pittsburgh,
Pennsylvania, in 1848, an English journalist named Hunt quoted the words
(from a defective memory) to Nelson Kneass, who was attached to the
local theatre; and, adapted by Kneass to a German melody, the song, in a
somewhat garbled version, was introduced in a play called "The Battle of
Buena Vista." In Helen Kendrick Johnson's "Our Familiar Songs, and Those
Who Made Them" (Henry Holt & Co., 1881), the story of its vogue in
England as well as in America is told effectively. Not only were ships
and steam-boats named in its honor, but a play was built upon its
suggestions, and as recently as in 1877 an English novelist made the
memories evoked by the singing of the song a factor in the development
of his catastrophe. Its revival at the hand of Mr. du Maurier is the
latest and perhaps the most striking tribute to its hold upon the
popular heart. To the author himself--in his ripe old age a member of
the LIIId Congress--its fame is seemingly a bore, for he is quoted as
saying:--"I am feeling very well and enjoying life as well as an old man
can, but this eternal 'Ben Bolt' business makes me so infernally weary
at times that existence becomes a burden. The other night, at a meeting
of a medical association at my home in Newark, some one proposed that
all hands join in singing 'Ben Bolt,' whereupon I made a rush for the
door, and came very near forgetting the proprieties by straightway
leaving home. However, I recovered my equilibrium and rejoined my
friends. I don't think that General Sherman ever grew half so tired of
'Marching Through Georgia' as I have of that creation of mine, and it
will be a blessed relief to me when the public shall conclude to let it
rest."
Apropos of the use made of the song in "Trilby," _Harper's Bazar_
published the words and music; whereupon the author sent this letter to
the editor:--
"It is very pleasing to an old man like myself to have the literary work
of a half-century since dragged to light and commended, as has been the
case with 'Ben Bolt' of late. I was flattered by seeing my likeness--or,
rather, the likeness of a younger man than myself--in your pages; but I
must protest against some errors which, in spite of careful editing,
enter into your transcription of the song. The words of the original
were:--
'Don't you remember the school, Ben Bolt,
With the master so cruel and grim,
And the shaded nook in the running brook,
Where the children went to swim?'
"This has been changed in the song, as usually sung, to read:--
Public-domain text, read in full here on John Shaqi.
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