Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era: A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progressBoyd, James P. (James Penny)
History
Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era: A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progress
Boyd, James P. (James Penny)
Inventions; Progress
Pile fabrics, cut, uncut, and tufted, represent a type quite distinct
from those produced on the ordinary fancy loom just described, and, in
the form of velvets, imitation animal skins, and Brussels carpet, were
almost unknown prior to the invention of Samuel Bigelow of Boston, in
1837. Fabrics of this character, if made at all, were the products of
tedious hand methods, and on account of the consequent high price were
the exclusive property of the very wealthy. Carpets with pile surface
had been made by the Persians and Turks ages ago, by tying pieces
of woolen yarn around longitudinal or warp threads, and binding the
whole together by a weft at intervals; and such tufts, being carefully
selected as to color, were made to present rich designs, but, like all
other hand-produced fabrics, these were the property of the few.
The pile fabric loom of Bigelow opened the way for an advance
in the carpet industry which continues to the present time; its
ultimate effect being to place carpets within the reach of the
humble cottager; and floors which were strewn with brush, or at best
concealed by the home-made rag carpet, now became covered by a soft
and beautifully figured fabric. This loom was a practical machine,
and at once commended itself to the manufacturer. It consisted of the
old power-loom provided with a Jacquard, already well understood, to
which was added an attachment to introduce wires at intervals as false
weft, and bind the warp around them by the usual weft threads. The
wires being withdrawn after a few shots had been woven, left the warp
loops standing, and these loops being formed under the dictates of the
Jacquard, any character of beautiful design could be produced. Velvets,
brocades, even the fine imitation of sealskin, are the simple products
of this form of power-loom when the pile loops are cut. Greater
cheapness in weaving cut pile fabrics has been secured by a slight
modification in the Bigelow loom, so that two fabrics could be woven
at one time. This idea was introduced about 1850, and it contemplated
weaving the two fabrics face to face, keeping them separated by the
usual pile wires of Bigelow, and passing the pile threads from one
fabric to the other. Upon cutting the two cloths apart through the
threads uniting them, two cut pile or velvet fabrics resulted. This
loom required the service of two shuttles and double the number of
warp-beams, but it worked well, and is to-day largely in use and well
adapted to its purpose.
[Illustration: SMITH AND SKINNER LOOM FOR MOQUETTE CARPETS.]
Public-domain text, read in full here on John Shaqi.
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