Triumphs of Invention and Discovery in Art and ScienceFyfe, J. Hamilton (James Hamilton)
History
Triumphs of Invention and Discovery in Art and Science
Fyfe, J. Hamilton (James Hamilton)
Inventions -- History; Inventors; Technology -- England -- 19th century
While at work upon this translation, Caxton found leisure to visit
several of the German towns where printing presses were established, and
to get an insight into the mysteries of the art, so that by the time he
had finished the volume, he was able to print it. At the close of the
third book of the "Recuyell," he says: "Thus end I this book which I
have translated after mine author, as nigh as God hath given me cunning,
to whom be given the laud and praise. And for as much as in the writing
of the same my pen is worn, mine hand weary and not steadfast, mine eyen
dimmed with overmuch looking on the white paper, and my courage not so
prone and ready to labour as it hath been, and that age creepeth on me
daily, and feebleth all the body; and also because I have promised to
divers gentlemen and to my friends, to address to them as hastily as I
might, this said book, therefore I have practised and learned, at my
great charge and dispense, to ordain this said book in print, after the
manner and form you may here see; and is not written with pen and ink as
other books are, to the end that every man may have them at once. For
all the books of this story, named the 'Recuyell of the Historyes of
Troye,' thus imprinted as ye here see, were begun in one day, and also
finished in one day" (that is, in the same space of time).
By the year 1477, Caxton had returned to London, and set up a printing
establishment within the precincts of Westminster Abbey; had given to
the world the three first books ever printed in England,--"The Game
and Play of the Chesse" (March 1474); "A boke of the hoole Lyf of
Jason" (1475); and "The Dictes and Notable Wyse Sayenges of the
Phylosophers" (1477),--and was fairly started in the great work of
supplying printed books to his countrymen, which, as a placard in his
largest type sets forth, if any one wanted, "emprynted after the forme
of this present lettre whiche ben well and truly correct, late hym come
to Westmonster, in to the Almonesrye, at the reed pale, and he shal have
them good chepe." From the situation of the first printing office, the
term chapel is applied to such establishments to this day.
[Illustration: WILLIAM CAXTON. Page 30.]
Caxton published between sixty and seventy different works during the
seventeen years of his career as a printer, all of them in what is
called black letter, and the bulk of them in English. He had always a
view to the improvement of the people in the works he published, and
though many of his productions may seem to us to be of an unprofitable
kind, it is clear that in the issue of chivalrous narratives, and of
Chaucer's poems (to whom, says the old printer, "ought to be given great
laud and praising for his noble making and writing"), he was aiming at
the diffusion of a nobler spirit, and a higher taste than then
prevailed.
Public-domain text, read in full here on John Shaqi.
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