When a boy, James Watt was delicate and sickly, and so shy and sensitive that his school-days were a misery to him, and he profited but little by his attendance. At home, though, he was a great reader, and picked up a great deal of knowledge for himself, rarely possessed by those of his years. One day a friend was urging his father to send James to school, and not allow him to trifle away his time at home. "Look how the boy is occupied," said his father, "before you condemn him." Though only six years old, he was trying to solve a geometrical problem on the floor with a bit of chalk. As he grew older he took to the study of optics and astronomy, his curiosity being excited by the quadrants and other instruments in his father's shop. By the age of fifteen he had twice gone through De Gravesande's Elements of Natural Philosophy, and he was also well versed in physiology, botany, mineralogy, and antiquarian lore. He was further an expert hand in using the tools in his father's workshop, and could do both carpentry and metal work. After a brief stay with an old mechanic in Glasgow, who, though he dignified himself with the name of "optician," never rose beyond mending spectacles, tuning spinets, and making fiddles and fishing tackle, Watt went at the age of eighteen to London, where he worked so hard, and lived so sparingly in order to relieve his father from the burden of maintaining him, that his health suffered, and he had to recruit it by a return to his native air. During the year spent in the metropolis, however, he managed to learn nearly all that the members of the trade there could teach, and soon showed himself a quick and skilful workman. In 1757 we find the sign of "James Watt, Mathematical Instrument Maker to the College," stuck up over the entrance to one of the stairs in the quadrangle of Glasgow College. But though under the patronage of the University, his trade was so poor, that thrifty and frugal as he was, he had a hard struggle to live by it. He was ready, however, for any work that came to hand, and would never let a job go past him. To execute an order for an organ which he accepted, he studied harmonics diligently, and though without any ear for music, turned out a capital instrument, with several improvements of his own in its action; and he also undertook the manufacture of guitars, violins, and flutes. All this while he was laying up vast stores of knowledge on all sorts of subjects, civil and military engineering, natural history, languages, literature, and art; and among the professors and students who dropped into his little shop to have a chat with him, he soon came to be regarded as one of the ablest men about the college, while his modesty, candour, and obliging disposition gained him many good friends. [Illustration: JAMES WATT. Page 67.]