Tropical nature, and other essaysWallace, Alfred Russel
History
Tropical nature, and other essays
Wallace, Alfred Russel
Ecology -- Tropics; Natural history -- Tropics; Tropics
wave-lengths, must be still more numerous.
In order to account for the fact that all colours appear to us to
be produced by combinations of three primary colours--red, green,
and violet--it is believed that we have three sets of nerve-fibres
in the retina, each of which is capable of being excited by all
rays, but that one set is excited most by the larger or red waves,
another by the medium or green waves, and the third set chiefly by
the violet or smallest waves of light; and when all three sets are
excited together in proper proportions we see white. This view is
supported by the phenomena of colour-blindness, which are explicable
on the theory that one of these sets of nerve-fibres (usually that
adapted to perceive red) has lost its sensibility, causing all
colours to appear as if the red rays were abstracted from them.
It is a property of these various radiations, that they are unequally
refracted or bent in passing obliquely through transparent bodies,
the longer waves being least refracted, the shorter most. Hence
it becomes possible to analyse white or any other light into its
component rays. A small ray of sunlight, for example, which would
produce a round white spot on a wall, if passed through a prism is
lengthened out into a band of coloured light, exactly corresponding
to the colours of the rainbow. Any one colour can thus be isolated
and separately examined; and by means of reflecting mirrors the
separate colours can be again compounded in various ways, and the
resulting colours observed. This band of coloured light is called
a _spectrum_, and the instrument by which the _spectra_ of various
kinds of light are examined is called a _spectroscope_. This branch
of the subject has, however, no direct bearing on the mode in which
the colours of living things are produced, and it has only been
alluded to in order to complete our sketch of the nature of colour.
Public-domain text, read in full here on John Shaqi.
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