He led the way. The drawing-room lay at the back of the house--an
apartment even more profoundly depressing than the one she had left.
Its one important piece of furniture was a circular table of rosewood
standing in the centre of the carpet under a brass gaselier, of which
the burnish had perished in patches; and in the centre of the table
stood a round-topped glass case containing a stuffed kestrel, with a
stuffed lark prostrate under its talons and bleeding vermilion wax.
Around this ornament were disposed, as the Doctor had promised, a number
of albums and illustrated books, one of which he chose and placed it in
her hands, at the same time bringing forward one of a suite of rosewood
chairs ranged with their backs to the walls. He motioned her to be
seated.
"You shall be told as soon as ever your aunt arrives."
"Yes, sir," said Tilda feebly. For the moment all the fight had gone
out of her.
He stood eyeing her, pulling at his bony finger-joints, and seemed on
the point of putting some further question, but turned abruptly and left
the room.
As the door closed--thank Heaven, at least, he did not bolt this one
also!--a dry sob escaped the child. Why had she told that string of
falsehoods? She was trapped now--imprisoned in this horrible house, not
to be released until this fictitious aunt arrived, which, of course,
would be never. The book on her lap lay open at a coloured lithograph
of Mazeppa bound upon his steed and in full flight across the Tartar
steppes. She knew the story--was it not Mr. Maggs's most thrilling
"equestrian _finale_," and first favourite with the public? At another
time she would have examined the picture eagerly. But now it swam
before her, unmeaning. She closed the book, threw a glance around the
four corners of the room, another at the stuffed kestrel--whose pitiless
small eye strangely resembled Doctor Glasson's--and dragged herself to
the window.
The lower panes of the window were filled with coloured transparencies
representing in series the history of the Prodigal Son. They excluded a
great deal of daylight and the whole of the view. Even by standing on
tip-toe she could not look over them, and she dared not try to raise the
sash.
By-and-by a thought struck her. She went back to her chair, lifted it,
carried it to the window and climbed upon it; and this was no small feat
or succession of feats, for as yet her thigh pained her, and fear held
her half-paralysed.
Public-domain text, read in full here on John Shaqi.
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