The figure in the next bed stirred feebly; the figure of a woman, straight and gaunt under the hospital bedclothes. A tress of her hair had come uncoiled and looped itself across the pillow--reddish auburn hair, streaked with grey. She had been brought in, three nights ago, drenched, bedraggled, chattering in a high fever; a case of acute pneumonia. Her delirium had kept Tilda--who was preternaturally sharp for her nine years--awake and curious during the better part of two night-watches. Thereafter, for a day and a night and half a day, the patient had lain somnolent, breathing hard, at intervals feebly conscious. In one of these intervals her eyes had wandered and found the child; and since then had painfully sought her a dozen times, and found her again and rested on her. Tilda, meeting that look, had done her best. The code of the show-folk, to whom she belonged, ruled that persons in trouble were to be helped. Moreover, the long whitewashed ward, with its seven oblong windows set high in the wall--the smell of it, the solitude, the silence--bored her inexpressibly. She had lain here three weeks with a hurt thigh-bone bruised, but luckily not splintered, by the kick of a performing pony. The ward reeked of yellow soap and iodoform. She would have exchanged these odours at the price of her soul--but souls are not vendible, and besides she did not know she possessed one--for the familiar redolences of naphtha and horse-dung and trodden turf. These were far away: they had quite forsaken her, or at best floated idly across her dreams. What held her to fortitude had been the drone and intermittent hoot of a steam-organ many streets away. It belonged to a roundabout, and regularly tuned up towards evening; so distant that Tilda could not distinguish one tune from another; only the thud of its bass mingled with the buzz of a fly on the window and with the hard breathing of the sick woman. Sick persons must be amused: and Tilda, after trying the patient unsuccessfully with a few jokes from the _repertoire_ of her own favourite clown, had fallen back upon "I love my love"--about the only game known to her that dispensed with physical exertion. "Sleepin', are you? . . . Well, I'll chance it and go on. I 'ate 'im because he's 'aughty--or 'igh-born, if you like--" The figure beneath the bedclothes did not stir. Tilda lifted herself an inch higher on the elbow; lifted her voice too as she went on: "And I'll take 'im to--'OLMNESS--" She had been watching, expecting some effect. But it scared her when, after a moment, the woman raised herself slowly, steadily, until half-erect from the waist. A ray of the afternoon sun fell slantwise from one of the high windows, and, crossed by it, her eyes blazed like lamps in their sockets. "--And feed 'im on 'am!" concluded Tilda hurriedly, slipping down within her bedclothes and drawing them tight about her. For the apparition was stretching out a hand. The hand drew nearer.