Circus and menagerie, swing-boats, roundabouts, shooting-galleries--all
were gone. The whole area lay trampled and bare, with puddles where the
steam-engines had stood, and in the puddles bedabbled relics of paper
brushes, confetti bags, scraps torn from feminine flounces, twisted
leaden tubes of "ladies' tormentors" cast away and half-trodden into the
mire; the whole an unscavenged desolation. Her folk--the show-folk--had
deserted her and vanished, and she had not a penny in her pocket.
It cost Tilda all her pluck to keep what she called a tight upper lip.
She uttered no cry, but seated herself on the nearest doorstep--
apparently with deliberation, actually not heeding, still less caring,
to whom the doorstep belonged.
"Oh, 'Dolph!" she murmured.
To her credit, in the act of appealing to him, she understood the dog's
heroism, and again stretched forth her arms. He had been waiting for
this--sprang at her, and again was caught and hugged. Again the two
forlorn ones rocked in an embrace.
Brief ecstasy! The door behind them was constructed in two portions, of
which the upper stood wide, the lower deceptively on the latch. Against
this, as she struggled with Godolphus's ardour, Tilda gave a backward
lurch. It yielded, flew open, and child and dog together rolled in
across the threshold, while a shop-bell jangled madly above them.
"Get out of this--you and your nasty cur!"
Tilda picked up herself and her crutch, and stood eyeing the shopwoman,
who, summoned by the bell, had come rushing from an inner room, and in
no sweet temper. From the woman she glanced around the shop--
a dairy-shop with a marble-topped counter, and upon the counter a pair
of scales and a large yellow block of margarine.
"It was a naccident," said Tilda firmly and with composure. "And my dog
isn' a nasty cur; it only shows your ignorance. Be quiet, 'Dolph!"
She had to turn and shake her crutch at Godolphus, who, perceiving his
mistress's line of action, at once, in his impulsive Irish way, barked
defiance at the shopwoman.
But the shopwoman's eyes rested on the crutch, and the sight of it
appeared to mollify her.
"My gracious! I do believe you 're the child was hurt at Maggs's Circus
and taken to hospital."
Tilda nodded.
"Did you see me?"
"Carried by on a stretcher--and your face the colour of _that_."
The woman pointed to the marble counter-top.
"I was a serious case," said Tilda impressively. "The people at the
Good Samaritan couldn' remember admittin' the likes of it. There were
complications."
"You don't say!"
"But what's become of Maggs's?"
Public-domain text, read in full here on John Shaqi.
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