True to his Colours: The Life that Wears BestWilson, Theodore P.
General
True to his Colours: The Life that Wears Best
Wilson, Theodore P.
Christian life -- Fiction; Temperance -- Fiction
"I'll tell you what it is," said the boy abruptly, and in a solemn
voice, "it's something as has to do with science. There's something
soft inside it, I can feel. P'raps there's something alive in it--I
shouldn't wonder. Oh! P'raps there's gun-cotton in it. I'd take care
how I carried it if I was you, Mary, or p'raps it'll go off and blow you
to bits!"
"Oh goodness!" exclaimed the housemaid, "I won't touch it. Just you
take it yourself and put it into master's study; it'll be safest there."
So the boy, with a grin of extreme satisfaction at the success of his
assault on the housemaid's nerves, helped her to carry the rest of the
luggage upstairs, and then deposited the mysterious bag in a corner of
the doctor's own special sanctum. Now this study was a room worth
describing, and yet not very easy to describe.
The doctor's house itself was one of those not very attractive-looking
dwellings which are to be found by streetfuls running from square to
square in the west end of London. It had stood patiently there for many
a long year, as was evident from the antiquated moulding over the
doorway, and from a great iron extinguisher, in which the link-bearers
of old used to quench their torches, which formed part of the sombre-
coloured ironwork that skirted the area. The gloomy monotony of the
street was slightly relieved by a baker's shop at one corner and a
chemist's at the other. But for these, the general aspect would have
been one of unbroken dinginess.
Nor did the interior of the doctor's house present a much livelier
appearance.
The entrance-hall, which was dark and narrow, had rather a sepulchral
smell about it, which was not otherwise than in keeping with some
shelves of books at the farther end--the overflow apparently of the
doctor's library; the tall, dark volumes therein looking like so many
tombs of the _dead_ languages.
To the left, as you entered the hall, was a dining-room massively
furnished, adorned with a few family portraits, and as many vigorous
engravings. But there lacked that indescribable air of comfort which
often characterises those rooms devoted to the innocent and social
refreshment of the body at meal-times. The chairs, though in themselves
all that dining-room chairs ought to be, did not look as if on a
habitual good understanding with one another; some were against the
wall, and others stood near the table, and at irregular distances, as
though they never enjoyed that cozy fraternity so desirable in well-
conditioned seats. Books, too, lay about in little zigzag heaps; while
a bunch of keys, a pair of lady's gloves, and a skein of coloured wool
lay huddled together on the centre of the sideboard. The whole
arrangement, or rather disarrangement, of the room bespoke, on the part
of the presiding female management, an indifference to those minor
details of order and comfort a due attention to which makes home (a
genuine English home) the happiest spot in the world.
Public-domain text, read in full here on John Shaqi.
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