Death -- Fiction; France -- Fiction; Villages -- France -- Fiction
Besides the powerful 'story of a crime' which is unfolded in the
pages of 'Vérité,' besides the discussion of political and religious
methods and prospects, and the exposition of educational views which
will be found in the book, it has other very interesting features. The
whole story of Marc Froment and his struggle with his wife Geneviève
is admirable. It has appealed to me intensely, for personal reasons,
though happily my home never knew so fierce a conflict. Yet experience
has taught me what may happen when man and woman do not share the same
faith, and how, over the most passionate love, the sincerest affection,
there may for that reason fall a blighting shadow, difficult indeed to
dispel. And though Marc Froment at last found his remedy, as I found
mine, living to enjoy long after-years of perfect agreement with the
chosen helpmate, it is certain that a difference of religious belief
is a most serious danger for all who enter the married state, and that
it leads to the greatest misery, the absolute wrecking of many homes.
In 'Vérité' the subject is treated with admirable insight, force, and
pathos; and I feel confident that this portion of the book will be read
with the keenest interest.
Of the rest of the work I need hardly speak further; for I should
merely be paraphrasing things which will be found in it. Some of the
personages who figure in its pages will doubtless be recognised. Nobody
acquainted with the Dreyfus case can doubt, I think, the identity of
the scoundrel who served as the basis of Brother Gorgias. Father Crabot
also is a celebrity, and Simon, David, Delbos, and Baron Nathan are
drawn from life. There are several striking scenes--the discovery of
the crime, the arrest and the first trial of the Jew schoolmaster,
the parting of Marc from his wife, and subsequently from his daughter
Louise, the deaths of Madame Berthereau and Madame Duparque, and the
last public appearance of the impudent Gorgias. But amid all the
matter woven into the narrative one never loses sight of the chief
theme--the ignominy and even the futility of falsehood, the debasing
effects of credulity and ignorance, the health and power that come
from knowledge--this being the stepping-stone to truth, which ends by
triumphing over all things.
Public-domain text, read in full here on John Shaqi.
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