Biographical fiction; China -- History -- 19th century -- Fiction; Cixi, Empress dowager of China, 1835-1908 -- Fiction; Empresses -- Fiction; Historical fiction
The sun had set in the land where the dragon reigns, and darkness and
silence and rest and sleep, the ministers of the night, waited to come
to their own. But their presence was not needed in the eastern portion
of the province of Hunan, for a wonderful stillness hung over all the
barren landscape, and there was no sign of life. On the banks of the
streams the patient buffalo no longer went his ceaseless rounds, working
the pumps that sent water over the thirsty earth; the shrill cries of
the boatmen that were wont to echo on the river were hushed; not even a
bird crossed the quiet sky; and where the waving rice-fields had once
stretched out proud and green under the summer sun, was now but a lonely
waste that gave no hope of harvest, for man and beast had either
perished or fled. The great Tai-ping rebellion had stirred this peaceful
country to its very centre, and war and war's grim follower, famine, had
swept through this once fertile province, and naught was left to tell of
what had been, save a few scattered ruins.
[Illustration: NIU TSANG AND FAMILY. Page 2.]
Suddenly, against the purplish shadows of the distant mountains, a
little group could be seen moving slowly along, the only living things
in all this vast solitude. On they came over the parched levels, but the
man who was leading the way walked with bowed head, as one that saw not,
but only went forward because he must. He was small in stature, and thin
and lithe, while his complexion showed through its dark, the pallor of
the student. His face was of the Oriental type peculiar to the Chinese
Empire, and his carefully braided cue also indicated his nationality. He
had dark, sloping eyes that you might have thought sleepy if you had not
seen them light up as he talked, his forehead was low and broad, his
mouth large, and most amiable in its expression, and when the long
sleeves of his tunic fell back, they disclosed soft, delicate hands,
unused to toil. His costume consisted of an outer tunic of worn and
faded silk, girded at the waist with a sash, from which hung a bag
containing flint and steel for lighting his pipe, a soiled pouch that
had once held tobacco, but was now empty, another bag for his pipe, and
a satin case shaped like the sheath for a short sword, from which
protruded nothing more formidable, however, than the handle of a fan.
His loose pantaloons, dust-stained and frayed, were met below the knees
by cloth stockings, once white, but now dyed with mud, and his shoes of
embroidered felt, the toes of which curled up in a curious fashion,
showed many gaping holes. Upon his head he wore a cone-shaped hat of
bamboo, the peak at the top adorned with a blue button from which fell a
blue silk fringe, and his tunic being cut low at the neck and buttoned
diagonally across his breast, left exposed his slender bronzed neck.
Public-domain text, read in full here on John Shaqi.
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