SCENE.--_High Divan, as in Act II._ ALTOUM _discovered on his
throne_; PANT. _and_ TART. _beside it_; _the eight Doctors seated; Guard
under arms_. _Behind a curtain, in the background, is an altar,
with a Chinese idol: a Chinese priest on each side of it._ KALAF
_enters, agitated, and looking suspiciously around him; bows to_
ALTOUM.
KAL. (_aside_.)
Do I still live? Each step, I thought to feel
The thrust of an assassin's deadly steel.
Adelma's warning was some dream, or now I dream.
ALT.
My son, care sits upon thy brow.
Glad news I have in store for thee. Alone
Joys come not. Turandot shall be thine own.
Three times to-night she sent to me to pray
I would defer th' encounter of to-day.
'Tis evident her pride is sorely vext,
She'd hide her failure by some vain pretext.
Rejoice, all blessings for thy weal combine,
To-day full happiness on thee shall shine.
PANT. (_to_ KALAF, _confidentially_)--
Believe me, if so please your Majesty--
(I mean your Majesty that is to be.)
Your future wife's ill-temper there's no bearing;
Her tantrums and hysterics are quite wearing.
A hundred times I was called up last night
To try and set this knotty question right.
I'd scarcely time my slippers to resume,
Much less to dress in proper court costume.
I just popped on my crimson satin breeches,--
I fear I caught a cold; (_sneezes_) must put on leeches,
A blister p'raps--take horrid water-gruel.
(_Blows, his nose portentously._)
No breakfast yet I've swallowed 'Tis too cruel!
Who'd be Prime Minister? to starve and toil,
And fret and fume in an eternal coil.
But yet, I would not, for a hundred dollar
Have missed the sight of her rampagious choler;
I was rejoiced my turn had come to grin,
Just as folks do at me when Harlequin
Before my nose runs off with Columbine,
In every stupid Christmas pantomime.
TART.
I-I was c-called up-p _inaspettatamente_,
S-she b-begged m-my a-ai-aid qu-quite _disperatamente_.
ALT.
Prepare the altar.
(_A curtain is raised, disclosing an altar with a Chinese deity.
Two priests attending._)
Hither call our daughter;
Obedience to the law shall now be taught her.
Set open all the doors! Lo, where she comes.
(_A slow march is heard._ TRUFFALDIN _and slaves enter, in mourning
garments, with weepers of crape attached to their pigtails._ _Female
slaves in black veils: then_ TURANDOT, ADELMA, _and_ SKIRINA, _all
demonstrating extreme dejection_. TURANDOT _ascends her throne
with the same ceremonies at in Act II._)
PANT.
Is this a wedding march, with muffled drums?
It sounds more like a dead march, dull and dreary--
The one in "Saul," or Verdi's _Miserere_.
Her sulky Highness looks as black as thunder
At having thus in public to knock under.
TUR. (_to_ KALAF).
Public-domain text, read in full here on John Shaqi.
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