Turgenev, Ivan Sergeevich, 1818-1883; Turgenev, Ivan Sergeevich, 1818-1883 -- Criticism and interpretation
rival and all of us; he seemed supported, as a bold swimmer by the
waves, by our silent, passionate sympathy. He sang, and in every
sound of his voice one seemed to feel something dear and akin to us,
something of breadth and space, as though the familiar steppes were
unfolding before our eyes and stretching away into endless distance.
I felt the tears gathering in my bosom and rising to my eyes;
suddenly I was struck by dull, smothered sobs.... I looked round--the
innkeeper's wife was weeping, her bosom pressed close to the window.
Yakov threw a quick glance at her, and he sang more sweetly, more
melodiously than ever; Nikolai Ivanitch looked down; the Blinkard
turned away; the Gabbler, quite touched, stood, his gaping mouth
stupidly open; the humble peasant was sobbing softly in the corner
and shaking his head with a plaintive murmur; and on the iron visage
of the Wild Master, from under his overhanging brows there slowly
rolled a heavy tear; the booth-keeper raised his clenched fists to
his brow, and did not stir.... I don't know how the general emotion
would have ended if Yakov had not suddenly come to a full stop on a
high, exceptionally shrill note, as though his voice had broken. No
one called out or even stirred; every one seemed to be waiting to
see whether he was not going to sing more; but he opened his eyes as
though wondering at our silence, looked round at all of us with a
face of enquiry, and saw that the victory was his....
"'Yasha,' said the Wild Master, laying his hand on his shoulder, and
he could say no more.
"We stood, as it were, petrified. The booth-keeper softly rose and
went up to Yakov.
"'You ... yours ... you've won,' he articulated at last with an
effort, and rushed out of the room."
An artist less consummate than Turgenev would have ended here. But the
sequel immeasurably heightens the whole effect by plunging us into the
mournful, ever-running springs of human tragedy--the eclipse of man's
spiritual instincts by the emergence of his underlying animalism.
Observe there is not a trace of ethical feeling in the mournful close.
It is simply the way of life:
Public-domain text, read in full here on John Shaqi.
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