"I do rather like it," said Eleanor; "of course you don't really feel
like a donkey to me. I mean I don't make you feel like one, but it's
funny just pretending that you mean it."
"Oh! woman, woman," Peter cried. "Beulah tried to convey something of
the fact that you always got the better of every one in your modest
unassuming way, but I never quite believed it before. At any rate it's
bedtime, and here comes Mrs. Finnigan to put you to bed. Kiss me good
night, sweetheart."
Eleanor flung her arms about his neck, in her first moment of
abandonment to actual emotional self-expression if Peter had only
known it.
"I will never really get the better of you in my life, Uncle Peter,"
she promised him passionately.
CHAPTER X
THE OMNISCIENT FOCUS
One of the traditional prerogatives of an Omnipotent Power is to look
down at the activities of earth at any given moment and ascertain
simultaneously the occupation of any number of people. Thus the Arch
Creator--that Being of the Supreme Artistic Consciousness--is able to
peer into segregated interiors at His own discretion and watch the
plot thicken and the drama develop. Eleanor, who often visualized this
proceeding, always imagined a huge finger projecting into space,
cautiously tilting the roofs of the Houses of Man to allow the sweep
of the Invisible Glance.
Granting the hypothesis of the Divine privilege, and assuming for the
purposes of this narrative the Omniscient focus on the characters most
concerned in it, let us for the time being look over the shoulder of
God and inform ourselves of their various occupations and
preoccupations of a Saturday afternoon in late June during the hour
before dinner.
Eleanor, in her little white chamber on Thirtieth Street, was engaged
in making a pink and green toothbrush case for a going-away gift for
her Uncle Peter. To be sure she was going away with him when he
started for the Long Island beach hotel from which he proposed to
return every day to his office in the city, but she felt that a slight
token of her affection would be fitting and proper on the eve of their
joint departure. She was hurrying to get it done that she might steal
softly into the dining-room and put it on his plate undetected. Her
eyes were very wide, her brow intent and serious, and her delicate
lips lightly parted. At that moment she bore a striking resemblance to
the Botticelli head in Beulah's drawing-room that she had so greatly
admired.
Of all the people concerned in her history, she was the most
tranquilly occupied.
Public-domain text, read in full here on John Shaqi.
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