_Walton Bridges_ (Wantage Collection), 55. [Armstrong, p. 58.] ---- ---- (Mr. J. Orrock), 55. [Byron Webber, vol. i. 94]. Wanstead, New Church at, 10. Wantage, The Lady, 52, 55, 63. Warkworth Castle, 34. Warton, Joseph, 4, 31. _Watchet_, 99, 100, 101, 102. _Waterloo, Field of_ (N.G. 500), 88. _Water Mill, The_ (R. 37), 61. Wells, 26. Wells, Mrs., 75. ---- W. F., 73. _Welsh Bridge, Shrewsbury_ (Man. Whit. Inst.), 20. ‘_Welsh Coast, A View of the, from Cook’s Folly_,’ (T.B. VI. 9), 15. Westall, William, 76. _Whalers_ (N.G. 546, 547), 119. _Whalley Bridge and Abbey_ (Wantage Collection), 63. [Illus. Cat. Wantage Collection.] ‘Whatman’s Turkey Mills,’ View of (Sandby), 19. _What You Will_, 88. Wheatley, F., 18, 19, 57. Wheeler, Mrs., 75. _Whitstable Hoy, Pilot hailing a_ (Farnley Hall Collection), 52. [Turner and Ruskin, vol. i. p. 132; Genius, 0-7.] Widener, Mr. P. A. B., 52. Wight, Isle of, 24, 25, 26. Wilson, R., 4, 31, 32, 33, 36, 37, 39, 84. Winchester, 25. Windermere, 34. _Windmill and Lock_ (R. 27), 57, 58, 61, 94. ---- ---- (Sir Frederick Cook), 55 [Genius 0-8]. Windsor, 15. _Windsor_ (N.G. 486), 4, 55, 63, 64, 67, 68, 86, 96, 117, 152. Wint, De, 4. Worcester, 15. Wordsworth, 4, 65, 86, 125. ---- Dorothy, 64. ‘Wordsworth’ (Prof. Raleigh), 67. Wordsworthian Naturalism, 4. Wordsworth’s ‘Excursion,’ 67. Wordsworth’s ‘Lines, composed a few miles above Tintern Abbey,’ 66. ---- ‘Lyrical Ballads,’ 58. ---- ‘Prelude,’ 65. Wrexham, 20. Yorkshire, 34. _Yorkshire, Coast of, near Whitby_ (R. 24), 48. ‘Yorkshire Series, The.’ See ‘Richmondshire, History of.’ Young, Edward, 4, 31. _Zurich_ (T.B. CCCLXIV. 289), 152. [Water-Colours of Turner, Pl. XXVII.] Printed by T. and A. CONSTABLE, Printers to His Majesty at the Edinburgh University Press FOOTNOTES: [1] See _Modern Painters_, vol. v. p. 342 _note_. [2] _The Life of Turner_, by Walter Thornbury, 1897 edition, p. 27. The drawings referred to are now in the Print Room, British Museum. [3] Since these lines were written I have been lucky enough to discover its source. It is based on an engraving in Gilpin’s _Northern Tour_, vol. ii., facing p. 85. Turner has followed the engraving fairly carefully, but has introduced two figures of his own in the foreground. [4] It was finished in 1790 and consecrated on the 24th June. See Lysons’s _Environs of London_, vol. ii. p. 237. [5] These titles are written on the backs of the drawings by the artist himself--an excellent practice which he very soon abandoned. [6] The fourth architectural subject in the exhibition is described as a view of the ‘Inside of Tintern Abbey.’ If this was the drawing now in the Victoria and Albert Museum, as the evidence seems to indicate, the critic’s preferences seem even more incomprehensible. On the whole this is, I think, a finer work even than the ‘St. Anselm’s Chapel.’