Turner's Water-Colours at Farnley Hall — John Shaqi
Turner's Water-Colours at Farnley HallFinberg, A. J. (Alexander Joseph)
History
Turner's Water-Colours at Farnley Hall
Finberg, A. J. (Alexander Joseph)
Fawkes, Walter Ramsden Hawksworth, 1769-1825 -- Art collections; Turner, J. M. W. (Joseph Mallord William), 1775-1851
[Sidenote: TURNER’S RELATIONS WITH MR. H. FAWKES]
On the death of Mr. Walter Fawkes Farnley Hall passed to his son, Mr.
Francis Hawksworth Fawkes. He was a boy when Turner first became
friendly with the family. He had romped, walked, shot with Turner, and
had sat at his elbow while he was making many of the wonderful drawings
in the Farnley Collection. No doubt young Hawksworth was one of the
party in the carriage which Turner insisted upon driving tandem from the
shooting tent on the Farnley moors, and which he managed to capsize
“amid shouts of good-humoured laughter"--an exploit which earned the
artist the nickname of “Over-Turner.” It was to young “Hawkey” that
Turner called one day in 1810, when he stood on the terrace at Farnley
watching the storm rolling and shafting out its lightning over the
Wharfedale hills--the storm effect he was to paint in his picture of
_Hannibal Crossing the Alps_. The same boy sat watching him for three
hours as he sat one morning between breakfast and lunch-time making the
beautiful drawing of _A First-Rater taking in Stores_, the artist all
the time “working like a madman” and “tearing up the sea with the
eagle-claw of a thumbnail.” It was young Hawksworth who induced his
father to buy the large oil painting of _Dort_ from the exhibition of
1818.
After Turner’s death, Mr. Hawksworth Fawkes furnished Thornbury with the
following account of his connection with the great artist. “When Turner
was so much here (at Farnley) in my father’s lifetime, I was but a boy,
and not of an age to appreciate or interest myself in the workings of
his mind or pencil. My recollection of him in those days refers to the
fun, frolic, and shooting we enjoyed together, and which, whatever may
be said by others of his temper and disposition, have proved to me that
he was, in his hours of distraction from his professional labours, as
kindly-minded a man and as capable of enjoyment and fun of all kinds as
any that I ever knew.
“Though often invited, Turner never came here after my father’s death;
and, as I have seldom gone to London, our meetings since I had learnt
his value had been few and far between: but up to the last time that I
saw him, about a year before his death, he was always the same to me
that I had known him in my boyhood, always addressed me by my boy name,
and seemed ever anxious to express in his kindness to me his attachment
to my father, and still glowing recollections of his ‘auld lang syne’
here.”
Thornbury says that when Mr. Hawksworth Fawkes visited London “he would
go and sit in the Queen Anne Street gallery for hours, but he was never
shown into the painting-room. On one occasion he invited Turner to
dinner at a London hotel, when he took, as was his wont latterly, a
great deal too much wine. For once he became vain, and, staggering
about, exclaimed, ‘Hawkey, I am the real lion--I am the great lion of
the day, Hawkey.’”
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