LIST OF ILLUSTRATIONS. PLATE I. BONNEVILLE, SAVOY. PLATE II. THE VALLEY OF THE WHARFE. FROM CALEY PARK. PLATE III. THE VALLEY OF CHAMOUNIX. PLATE IV. SCARBOROUGH TOWN AND CASTLE: MORNING. BOYS COLLECTING CRABS. PLATE V. INTERIOR OF ST. PETER’S, ROME. PLATE VI. THE STRID, BOLTON WOODS. PLATE VII. THE PASSAGE OF MONT CENIS. PLATE VIII. A FIRST-RATER TAKING IN STORES. PLATE IX. THE GREAT FALL OF THE REICHENBACH; IN THE VALLEY OF HASLE, SWITZERLAND. PLATE X. CONISTON LAKE AND OLD MAN. PLATE XI. THE BANKS OF THE WASHBURNE. PLATE XII. THE LAKE OF BRIENZ: MOONLIGHT. PLATE XIII. BOLTON ABBEY, FROM THE SOUTH. PLATE XIV. THE COLOSSEUM, ROME. PLATE XV. HIRZENACH. PLATE XVI. UPPER FALLS OF THE REICHENBACH: RAINBOW. PLATE XVII. THE WASHBURNE, WITH LEATHLEY CHURCH. PLATE XVIII. MAYENCE AND KASTEL. PLATE XIX. THE VALLEY OF THE WASHBURNE, AND LINDLEY BRIDGE. PLATE XX. THE RIALTO, VENICE. PLATE XXI. SOONECK, WITH BACHARACH IN THE DISTANCE. PLATE XXII. OTLEY, FROM THE CHEVIN. PLATE XXIII. JOHANNISBERG. PLATE XXIV. LINDLEY BRIDGE AND HALL. PLATE XXV. ABBEY OF BINGEN, LOOKING TOWARDS LAKE. PLATE XXVI. NORHAM CASTLE. PLATE XXVII. THE CARRIAGE DRIVE, FARNLEY. PLATE XXVIII. FISH MARKET ON THE ENGLISH COAST. PLATE XXIX. FROM RHEINFELS, LOOKING OVER ST. GOAR TO KATZ. PLATE XXX. LAKE TINY, FARNLEY, WITH ALMIAS CLIFF IN DISTANCE. _The Editor desires to acknowledge his indebtedness to Mr. F. H. Fawkes, the present owner of Farnley Hall, who has kindly placed at his disposal the beautiful drawings by Turner reproduced in this work._ [Illustration: PLATE I. BONNEVILLE, SAVOY. CIRCA 1808. SIZE 11” × 15⅜". The “Liber Studiorum” plate (R. 64), published January 1, 1816, was founded on this design. The plate, which was engraved from a sepia drawing, shows several slight variations from the water-colour; the buildings in the centre and the bridge on the right are heightened, the stick leaning on the blue and white bundle in the foreground has been omitted, the hat of the girl resting on a stone on the left has been taken off, the figure of a boy added, and a group of sheep substituted for the herd of goats in the centre.] [Illustration: PLATE II. THE VALLEY OF THE WHARFE, FROM CALEY PARK. CIRCA 1816-1818. SIZE 11¾” × 17½". This drawing is executed in body-colour on brown paper. It represents one of the views in the neighbourhood of Farnley Hall. The River Wharfe winds through the valley in the middle distance. On the left, the junction with the Washburne is shown; on the right, in the distance, is Poole Bridge. Above the junction of the Wharfe and the Washburne, Leathley Church and village are seen, and beyond them the gaunt shoulders of Great Alms Cliff appear above the horizon.] [Illustration: PLATE III.