Turner's Water-Colours at Farnley HallFinberg, A. J. (Alexander Joseph)
History
Turner's Water-Colours at Farnley Hall
Finberg, A. J. (Alexander Joseph)
Fawkes, Walter Ramsden Hawksworth, 1769-1825 -- Art collections; Turner, J. M. W. (Joseph Mallord William), 1775-1851
THE GREAT FALL OF THE REICHENBACH; IN THE VALLEY OF HASLE, SWITZERLAND.
SIGNED AND DATED “J. M. W. TURNER, R.A., 1804.” SIZE 40” × 27".
Painted from sketches made in 1802. Exhibited at the Royal Academy,
1815, under the above title, together with two other Farnley drawings,
viz., _The Passage of Mount St. Gothard_ and _Lake of Lucerne_.]
[Illustration: PLATE X.
CONISTON LAKE AND OLD MAN.
CIRCA 1816-1818. SIZE 19½” × 25½".
This drawing is executed in body-colour on brown paper. Mr. Ruskin’s
house and grounds stand not far from the spot from which it was made.]
[Illustration: PLATE XI.
THE BANKS OF THE WASHBURNE.
CIRCA 1818. SIZE 13¼” × 16¼".
This drawing is executed in body-colour on brown paper. It shows a bend
of the Washburne about a mile from Farnley Hall. Leathley Church stands
a little to the left, just out of the picture. In the distance is seen
the rocky crest of the Otley Chevin, with Caley Park on the slopes
below. The banks are now covered with a dense growth of trees, entirely
obliterating the view of the river. This drawing is based on a small
pencil-sketch in the “Hastings” sketch-book (CXXXIX, pp. 35a & 36).]
[Illustration: PLATE XII.
THE LAKE OF BRIENZ--MOONLIGHT.
SIGNED “J. M. W. TURNER, R.A.” CIRCA 1804. SIZE 11” × 15½".
The pencil-sketch of this view, made in Switzerland in 1802, is in the
National Gallery (LXXVII, p. 34). It has an “F” written in ink in the
corner, evidently put there when Mr. Fawkes ordered this drawing. There
is also a colour-study in the same collection (LXXX, E.). The blue has
slightly faded in this drawing, but the general effect remains
harmonious and very impressive.]
[Illustration: PLATE XIII.
BOLTON ABBEY, FROM THE SOUTH.
CIRCA 1812. SIGNED “J. M. W. TURNER, R.A.” SIZE 11¼” × 15½".
There are a number of pencil-drawings of Bolton Abbey in the “Devonshire
Rivers, No. 3, and Wharfedale” sketch-book (cxxxiv). The water-mark of
this sketch-book is 1811, so the date of the sketches may be a year or
two later.]
[Illustration: PLATE XIV.
THE COLOSSEUM, ROME.
INSCRIBED AND SIGNED “COLLICEUM, ROME, J. M. W. TURNER, 1820.” SIZE 11”
× 15½".
Based on the pencil-drawing (“Rome: C. Studies,” CLXXXIX, p. 23) made in
Rome in 1819.]
[Illustration: PLATE XV.
HIRZENACH.
DATE 1817. SIZE 8⅜” × 12½".
One of the Rhine series. This drawing is executed in water-colour on
white paper, but a grey preparation was washed over the paper before the
painting was commenced.
Hirzenach is near St. Goar, where Turner is known to have been on the
23rd, 24th and 27th of August, 1817. There are sketches of Hirzenach and
the neighbourhood in the “Waterloo and Rhine” sketch-book (CXL).]
[Illustration: PLATE XVI.
UPPER FALLS OF THE REICHENBACH: RAINBOW.
CIRCA 1818. SIZE 11⅛” × 15¾".
Public-domain text, read in full here on John Shaqi.
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