A colored dignitary in a uniform sumptuously befrogged with gold lace
who commanded the portal directed me to the stage entrance. I passed
into a dark and apparently deserted passage and paused to consider my
next step. Before me was a tall, brightly lighted aperture, and coming
through this I caught the sound, gently rising and falling, of a rather
dulcet voice. A slight pause in the flow of individual utterance, and
directly following upon this a soft wave as of the intimate mirth of an
audience wafted about what was evidently the auditorium beyond. Just
then a figure duskily defined itself before me and addressed me in a
gruff whisper. I was directed to proceed around the passage extending
ahead, to Room Three. I should have passed behind a tall screen (I
recognized later), but inadvertently I passed before it, and suddenly
found myself the target of thousands upon thousands of eyes--and the
unmistakable back of Mr. Chesterton looming in the brilliance directly
before me.
Regaining the passage, I found a door labelled A 3. Receiving no
response to my knock, I opened it; and peered into a lighted cubby-hole
about one-third the size of a very small hall bed-room. The only object
of any conspicuousness presented to me was a huge, dark garment hanging
from a hook in the wall. It seemed to be--ah! yes; it was a voluminous
overcoat with a queer cape attached. So; I was in the right shop all
right.
I thought I ought to look around and try to find somebody. I wandered
into what I suppose are the "wings" of the theatre. Anyway, I had an
excellent view, from one side, of the stage and of a portion of one
gallery. The only person quite near me was a fireman, who paid no
attention whatever to me, but continued to gaze out steadily at Mr.
Chesterton, with an expression of countenance which (as well as I could
decipher it) registered fascinated incomprehension. I attempted to lean
against what I supposed was a wall, but to my great fright the whole
structure nearly tumbled over as I barely touched it. Perceiving a chair
the other side of the fireman, I passed before him, sat down, and gave
myself over to contemplation of the spectacle.
Public-domain text, read in full here on John Shaqi.
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