But round to rooms again. Often has it been told how Anthony Trollope worked. How he accomplished so much--thirty-odd novels besides as many tales--by a method he recommended to all who wish to pursue successfully the literary career. In the drawing room of the Athenæum Club, in a railway carriage, or on the ocean, wherever he might be he seated himself for three hours as a limit, with his watch before him; and regularly as it marked the quarter hour he turned off two hundred and fifty words, undisturbed by any distraction about him. We know that the unlettered man of genius, John Bunyan, wrote his immortal allegory "The Pilgrim's Progress" in Bedford jail. And there is being advertised now a book recently written in an American prison. And much writing has been done in garrets. Then here's our old friend George Moore. Again and again he has told of exactly the places it was necessary for him to live in while he wrote certain books. I open at random "Ave"; and I find this: I descended the hillside towards the loveliest prospect that ever greeted mortal eyes.... And I walked thinking if there were one among my friends who would restore Mount Venus sufficiently for the summer months, long enough for me to write my book. Now, to be quite frank with you, I didn't intend to write this paper at all. You may remember that when I set out I was merely in disagreement with Mr. Lucas concerning the matter of writing in a hotel room. One thing (as it will) led to another; and the upshot has been all this pother. However, there are, I hope, no bones broken--and that's saying a good deal for any kind of a discussion in these unsettled times. What I am coming to is (the fashionable thing to come to nowadays) the psychic. A fellow I know was much puzzled. He recently got back to 16 Gramercy Park from a trip around the world. I saw him there having some toast and a pot of tea. He told me these interesting circumstances. He would be at a superbly appointed hotel in some city. Beautiful suite of rooms. Commodious bath-room with lovely bay-window. Everything to make for perfect mental and physical well-being. Impotent to write there. Later runs into some terrible dump of a lodging house. Horrible din of low noises all about. One dirty window looks out on scene of squalor. So cold at night has to put chair on bed and sit there to be nearer gas jet. Gets on wonderfully with writing. Strikes another place, handsomest of all; writes pretty well. Comes to most fearful place yet; can't write at all. Couldn't make head nor tail of the matter, this fellow. Discussed the thing with many people. Finally found young woman who gave convincing explanation. It's like this: Undoubtedly you are, in any room, affected by something of the spirit which lingers there of former occupants. Maybe they were persons, whatever their station in life, sympathetic to your spirit--maybe not. CHAPTER X TAKING THE AIR IN SAN FRANCISCO