On the 22d of December of that year most of the men of the villages
prepared cotton strings, to the end of which they tied feathers and
piñon needles. These were given away during the day to different
persons, some receiving from one to two dozen, which they tied in
their hair. When a maker of these feathered strings presented one to
a friend, he said, as translated, “Tomorrow all the Katcinas to you
grant your wishes,” holding his bundle vertically and moving it with
a horizontal motion. At nightfall each man procured a willow wand
from 3 to 4 feet long and looped upon it all the strings which he had
received. He then carried his stick to the Móñkiva and placed it in the
rafters, thus imparting to the ceiling the appearance of a bower of
feathers and piñon needles.
All the kivas were meeting places of the participants, but the
Tátaukyamû met at the Móñkiva, where the principal festivities took
place. Their chief wore a head-dress decorated with symbols of
rain-clouds (plate CVIII), and carried a shield upon which was depicted
the sun (plate CIV). The chief of a second society carried a shield
upon which was drawn a star (plate CIV), and a third chief bore a
shield with an antelope drawn upon it. The head-dress of the chief
of the Aáwympkiya was adorned with glistening triplex horns, and on
his shield was represented an unknown Katcina (plate CIV). The fifth
society was Kwákwantû, or warrior, whose chief carried in his hand an
effigy of the great snake (Pálülükoñûh) which was carved from the woody
stalk of the agave (kwan), from which the society was named. He came
from the Tcivato-kiva and on his shield was depicted a Kwákwantû in
full costume. The sixth society was the Tatcü′kti or “knobbed heads;”
their shield-bearer wore a head-dress like a coronet, while on his
shield was drawn a black figure with lozenge-shape eyes. The shield
of the chief of the seventh society was adorned with a picture of the
Táwamoñwi or sun chief.
After the societies had entered the kiva an invocation to the cardinal
points was chanted, and the shield-bearers, in turn, standing over the
sípapû, stamped on it. At a signal the society arranged itself into
two irregular groups, one on the north, the other on the south side
of the main floor. All then vehemently burst forth into a song, the
shield-bearer making eccentric dashes among his associates, first to
one side and then to the other.
While the song lasted the shield-bearer continued these short, swift
rushes, and the assembled groups crouched down and met his dashes by
rising and driving him back to the sípapû. He madly oscillated from
right to left, that is, from the north to the south side of the room,
and swung his shield in rhythm, while those near him beat their feet in
time. The shield was dashed from face to face, and the groups made many
motions as if to seize it, but no one did more than to touch it with
outstretched hands. The movements on both sides were highly suggestive
of attack and defense.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account