At 2 p. m. the Nüvák (snow) Katcinas came from the Nacabki, led by
Soyóko. They were nine in number and were accompanied by a drummer. All
wore bright plumage on their heads and their masks were painted green
and white, but that of the drummer was pink. They were adorned with
many necklaces, and wore white kilts and gray fox-skins. Yellow stripes
were painted on the shoulders, the forearm, on each breast and the
abdomen, and the bodies of all were stained red.
After singing and dancing for about five minutes, nine clowns
(Tatcü′kti) came from the Álkiva and danced madly around the court, at
first independently, but finally keeping step with the Katcinas. They
joined in line one behind the other, each grasping the uplifted leg of
the man in front of him, and then tumbled pell-mell over one another,
shouting and laughing as they did so.[59]
At 2.20 a personification of Tcavaíyo, arrayed in a conical black mask
with globular eyes and great teeth, entered the kiva. He carried a bow
and arrows in his left hand and a saw in his right. His forearms and
legs were painted black with white spots. This monster dispersed the
clowns, during which many Zuñi words were uttered.
At 2.50 the Katcinas again returned and repeated their former dance in
the same way as described. The antics of the Tatcü′kti continued, and
the Katcinas appeared again at 4.20 p. m.; then later at 5, when they
all departed, not to return. When the Katcinas retired to Wikyátiwa’s
house at 4 oclock the clowns went down into the Álkiva and returned
in their characteristic procession, the drummer in front, the other
eight in two lines of four persons. Each carried on his back a large
bundle composed of a fine blanket, cotton cloth, yarn, and all kinds
of textile articles of value. One also had the four cones which they
had used the night before and a tray of shelled corn of all colors,
mixed with various kinds of seeds. They laid the tray in the center
of the court and spread a blanket beside it, on which they placed
all their bundles. One of their number then piled the cones, one on
top of another, and while he was doing this the drummer rapidly beat
his drum, while the others shook their rattles and sung vigorously.
When the cones had been set up one of the men sought out a girl and
brought her to them and told her if she would take hold of the lowest
cone with both hands, raise the pile, and set it back in place without
letting any of the cones fall she should have all the wealth piled on
the blanket. But the least jar tumbled the cones down, and each one of
the half dozen or more girls to whom they made the same offer failed
in turn. Then they invited the youths to try, and several essayed, but
none were able to perform the feat. So the prize, doubtless designedly,
was left in the original owner’s hands. They then brought a blanket
full of hoyiani and placed the cones in two piles, but even then
none of the girls succeeded in carrying it. No one was allowed a second
trial.
Public-domain text, read in full here on John Shaqi.
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