An outline of the ceremonials attending the departure of the Katcinas from three of the Tusayan villages has already been given elsewhere.[86] From new observations it is found that much remains to complete this account, but the main events have already been described. While the dance resembles the abbreviated Katcinas, from which it should not be widely separated, the altar and kiva ceremonials place it in the group of elaborate Katcinas or those with complicated secret usages. It is only in those villages in which are preserved the wími of the Kachina móñwi that this celebration can occur, although, as we shall later see, abbreviated Katcinas are not so limited. It will probably be found that any abbreviated Katcina may be used for the public dance of the Nimán, but no abbreviated Katcina can have the secret ceremonials of the Nimán without becoming the same. When the Katcina chief, Íntiwa, sets up his altar it is but natural that any set of Katcinas may give the public dance, which, while a necessary accompaniment, is far from being prescribed as to kind. ABBREVIATED KATCINAS CHARACTERISTICS This group includes a large number of simple ceremonials in which a masked dance in public is the most significant part. The general character of these observances may be seen by a consultation of my article, “A few summer ceremonials at the Tusayan pueblos.”[87] The distinctive name is determined by the characters personified as indicated by the symbolic markings of the masks or by other paraphernalia. No elaborate kiva ceremonials are performed.[88] All the abbreviated presentations have certain common features which run through them. These characteristics may be learned from my description in the article on “The summer ceremonials,”[89] but in order to make them more prominent I have mentioned them in an appended footnote.[87] The special Katcina celebrated is designated by the symbolism depicted on the mask, which is repainted and redecorated according to the Katcina which it is intended to represent. For the special name and the accompanying symbolism a study of the dolls will give as good an idea as can yet be obtained from published articles.[90] The participants in the abbreviated Katcinas may be divided into two groups: (1) The Katcinas, male and female, with related masked personages, and the priests who pray to them and sprinkle meal upon them, and (2) the accompanying clowns and masked or other persons who participate in their antics and presentation. The details of the proceedings of the second or possibly subordinate group vary in different dances more than those of the first. The participants of the first group are: 1. Masked personages (always men) called Katcinas. 2. Masked men, personifying women, called Katcinamanas. 3. One or more masked persons, who vary in symbolic characters in different Katcinas. These are often absent.