Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
CLEMENTINA had enticed me to her cottage with the promise of country
beans cooked in country fashion, to be followed by a story under the
chestnut woods. So at about four in the afternoon, when the heat of
the day was over in the breezy mountain village, I sauntered through
the street, past the swarming black-eyed children, and the cheerful,
smiling washerwomen busy at the tank under the pump, out on the white
road beyond; and, gazing now at the landscape on the left, now at the
ever-varying forms of the Apennines before me—
“Ever some new head or breast of them,
Thrusts into view,”
says Browning—now climbing the bank on the right for flowers or
mountain-strawberries, I arrived, after half an hour’s stroll, at the
little hamlet of Ciecafumo.
There stood the cluster of smoke-blackened cottages, with the large
patch of rye, beans, etc. (apparently common property), before them,
against a background of magnificent chestnut trees. Passing under a
picturesque archway, and crossing a cobbled space which did duty as a
street, I pushed open the wooden door of Clementina’s house. Before me
was a flight of stairs which might have been washed towards the end
of the last century: on the right the kitchen; and, dim in the blue,
arching wood-smoke, Clementina, with eyes as bright as ever under her
kerchief; and sprightly little Nella, barefooted, and, still more
extraordinary, bareheaded.
It was a large, low room, with stone walls and a gaping plank ceiling,
which formed also the floor of the room above, all encrusted with the
black lichen-like deposit, harder than the stone itself, produced by
the smoke of wood-fires. In one corner was a tiny window, and on the
same side with it the hearth, with a wooden roof over it in lieu of
chimney. The wood-fire, the cat, the red pipkin with the old woman
bending over it, formed a pretty interior against the dark shadows
of the great stack of brushwood which, with a flight of very rickety
stairs, occupied the further end of the room.
“Where do the stairs lead, Nonna?” I asked.
“Oh, those lead into the cat’s rooms. You can go up if you like, but
I advise you not to. It’s years since I have been there, and I expect
they’re rather dirty.”
Public-domain text, read in full here on John Shaqi.
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