Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
SURELY no city in the world queens it over the waves so completely as
does Portoferraio. She rides them imperiously, lifting high the turrets
that are her crown and defence; she decks herself in the brightest
colours, conscious of her beauty; and sets herself boldly on the very
head and front of the dark blue waters that wash her feet or leap up in
wrath at her pride, yet never injure her. Genoa is called the Superb,
but the epithet rises more spontaneously to the mind on view of the
capital of the Island of Elba.
Portoferraio was originally one of those headlands, so characteristic
of Elba, that grow out from the mainland on a narrow stalk, and then
widen and heighten into rocky peninsulas. It is now, however, an
island, for Cosimo I., Duke of Tuscany, cut a moat through the stalk,
and severed the peninsula from the mainland. The peninsula consists
of two heights, on one of which is the fort known as the Falcone,
on the other, that of the Stella; and these are bound together by a
lofty wall, within the castellations of which sentinels could walk
without descending into the town. Immediately below each fort, a bank
of concrete, kept in former times very clean and free from growth,
formed a water-shed for the rain which streamed down it into a cistern
below. At present the concrete, though still railed in, is quite
overgrown, for the city boasts a water-supply brought down from the
neighbouring hills. Round the forts are spacious granite-paved squares
on which considerable bodies of men could manœuvre; and below cluster
the red-roofed, green-shuttered houses, whose inhabitants sleep, in
Oriental fashion, through the heat of the day, coming out in the
evening to walk among the oleanders of _Le Ghiaie_—a tiny park above a
beach of the whitest gravel (_ghiaia_)—or to dance with the officers
in the new bathing establishment, of which they are so proud. Down
again, at the foot of the houses, lies the port, a semi-circle pointed
at the southern end by the pink-washed tumble-down offices of the
sanitary inspector, at the northern end by the octagonal tower of the
convict prison. Soldiers, convicts, “society,” trade, all hive on those
two little hills, and the only opening through which workers and drones
can pass in and out on the landside is a low-browed gateway, bearing
the Medici arms, and overlooking a plank bridge spanning the moat of
sea-water. Within the gateway is a wide, open space, through which one
passes up the first ramparts of the Falcone, to a wonderful winding
tunnel, hewn in the solid rock. This brings one out through another
gate, into the flaunting little city. The tunnel is known as _La
Tromba_ (the trumpet-shaped), and was the work, as usual, of Cosimo’s
engineer.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account