Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with IntroductionHurll, Estelle M. (Estelle May)
History
Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with Introduction
Hurll, Estelle M. (Estelle May)
Sculpture, Italian
Our illustration also shows a portion of the wall against which the
niche is placed. We see that the church is built of stone, set in
square blocks. On each side of the niche is a metal ring through which
torches were thrust.
[Footnote 4: St. John, chapter i., verses 43-51.]
[Footnote 5: St. John, chapter xiv., verses 1-11.]
[Footnote 6: Mrs. Jameson's _Sacred and Legendary Art_, p. 235.]
[Footnote 7: The Florentine guilds of this period may be compared with
those of the seventeenth century in Holland. See the chapter on the
"Syndics of the Cloth Guild" in the volume on Rembrandt in the
Riverside Art Series.]
III
ST. JOHN THE BAPTIST
BY DONATELLO
In the hill country of Judaea lived the priest Zacharias and his wife,
Elisabeth, who were the parents of St. John the Baptist. They were
pious people, "walking in all the commandments and ordinances of the
Lord, blameless." One day, as Zacharias was ministering in his office
in the temple, an angel brought him the glad tidings that he was to
have a son. "Thou shalt call his name John," said the vision, "and
thou shalt have joy and gladness, and many shall rejoice at his
birth."
A great career was promised for the coming child. He was to be a
preacher filled with spiritual power. Like the old prophet Elias, he
was to turn the hearts of the people to God, and to prepare the way
for the Christ. As a sign that the angel's words were true, Zacharias
was stricken dumb until his son was born. Then "his tongue was loosed,
and he spake and praised God."
The neighbors marvelled at the mystery of John's birth, and they saw
that "the hand of the Lord was with him." "And the child grew and
waxed strong in spirit," until he came to manhood.[8] Then was
fulfilled the angel's prophecy concerning him. He became a great
preacher, and multitudes flocked to hear him.
John's manner of life was like that of a hermit. He dwelt in the
wilderness about the river Jordan, wearing a garment of camel's hair
bound about his loins with a leathern girdle. His food was locusts and
wild honey. He gathered his audiences in the open air and baptised his
disciples in the river.
Though stern in his teachings he became for a time very popular. Yet
he always spoke of his own work with great humility. "There cometh one
mightier than I after me," he said.[9] This was Jesus, who, on
presenting himself for baptism, was greeted by John as the "Lamb of
God." The prophet's mission was now accomplished. He was soon after
thrown into prison and beheaded, at the order of King Herod, whose
sins he had openly rebuked.
The story of the Baptist's life brings readily before the imagination
the strange figure of the man.[10] It is not so easy to fancy how he
might have looked as a boy. The bas-relief of our illustration shows
us what form the idea took in the mind of the sculptor Donatello.
[Illustration: ST. JOHN THE BAPTIST (DONATELLO) _National Museum,
Florence_]
Public-domain text, read in full here on John Shaqi.
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