Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with IntroductionHurll, Estelle M. (Estelle May)
History
Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with Introduction
Hurll, Estelle M. (Estelle May)
Sculpture, Italian
These condottieri were military leaders who made war a business. It
mattered nothing to them on what side they fought or against what
enemy, so long as they were well paid for their services. As a rule
they were men of unscrupulous character, many of whom betrayed the
cause entrusted to them. To this rule a notable exception was
Gattamelata,[55] the subject of the equestrian statue in our
illustration.
The man's real name was Erasmo da Narni. It was as first lieutenant in
the Venetian army that he came into notice, serving under Gonzaga.
When later this Gonzaga went over to the cause of the Milanese enemy,
the lieutenant was promoted to the command. He threw into the work
before him, says the historian, "an honest heart and splendid
faculties."
The Milanese army was much larger than the Venetian, and was commanded
by the famous strategist Niccolo Piccinino. Gattamelata could make
little headway against such odds, but all that was possible to do he
accomplished "with equal courage, fidelity, and zeal." At length, in
attempting to bring relief to the besieged city of Brescia, he found
himself shut in between the Lake of Garda and the Alps.
It was in the month of September, 1438. Snow already lay on the
mountains, and the rivers were swollen with the autumn rains. The
roads were out of repair, bridges were washed away, and even the fords
were impassable. To make matters worse, the army was short of
provisions. Such conditions would have forced any other general to lay
down his arms, but not Gattamelata. With admirable coolness, he led
his men in a retreat across the mountains and around the lake. Three
thousand horsemen and two thousand infantry made up their number, and
all were devoted to their leader. Torrents were bridged, old roads
repaired, new ones opened, and at the end of a month the army emerged
upon the Lombard plain.
[Illustration: EQUESTRIAN STATUE OF GATTAMELATA (DONATELLO) _Piazza
del Santo, Padua_]
Thus were the Venetian arms saved, and at the same time the Milanese
were baffled in a design to come between Venice and her army.
Gattamelata's retreat was a victory of peace, less showy, perhaps,
than a victory of war, but requiring the finest qualities of
generalship. In recognition of his services the Venetian Signory
conferred the title of nobility upon him, with a palace and a pension.
Public-domain text, read in full here on John Shaqi.
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