MALVOLIO.
Not yet old enough for a man, nor young enough for a boy; as a
squash is before 't is a peascod, or a codling when 't is almost
an apple: 't is with him in standing water, between boy and man.
He is very well-favour'd, and he speaks very shrewishly; one
would think his mother's milk were scarce out of him.
OLIVIA.
Let him approach. Call in my gentlewoman.
MALVOLIO.
Gentlewoman, my lady calls.
[Exit.]
[Re-enter MARIA.]
OLIVIA.
Give me my veil; come, throw it o'er my face;
We'll once more hear Orsino's embassy.
[Enter VIOLA, and ATTENDANTS.]
VIOLA.
The honourable lady of the house, which is she?
OLIVIA.
Speak to me; I shall answer for her. Your will?
VIOLA.
Most radiant, exquisite, and unmatchable beauty,-- I pray you,
tell me if this be the lady of the house, for I never saw her: I
would be loth to cast away my speech; for, besides that it is
excellently well penn'd, I have taken great pains to con it. Good
beauties, let me sustain no scorn; I am very comptible, even to
the least sinister usage.
OLIVIA.
Whence came you, sir?
VIOLA.
I can say little more than I have studied, and that question's
out of my part. Good gentle one, give me modest assurance if you
be the lady of the house, that I may proceed in
my speech.
OLIVIA.
Are you a comedian?
VIOLA.
No, my profound heart; and yet, by the very fangs of malice I
swear, I am not that I play. Are you the lady of the house?
OLIVIA.
If I do not usurp myself, I am.
VIOLA.
Most certain, if you are she, you do usurp yourself; for what is
yours to bestow is not yours to reserve. But this is from my
commission. I will on with my speech in your praise, and then
show you the heart of my message.
OLIVIA.
Come to what is important in't; I forgive you the praise.
VIOLA.
Alas, I took great pains to study it, and 't is poetical.
OLIVIA.
It is the more like to be feign'd; I pray you, keep it in. I
heard you were saucy at my gates, and allow'd your approach
rather to wonder at you than to hear you. If you be not mad, be
gone; if you have reason, be brief; 't is not that time of moon
with me to make one in so skipping a dialogue.
MARIA.
Will you hoist sail, sir? here lies your way.
VIOLA.
No, good swabber; I am to hull here a little longer. Some
mollification for your giant, sweet lady. Tell me your mind; I am
a messenger.
OLIVIA.
Sure, you have some hideous matter to deliver, when the courtesy
of it is so fearful. Speak your office.
VIOLA.
It alone concerns your ear. I bring no overture of war, no
taxation of homage: I hold the olive in my hand; my words are as
full of peace as matter.
OLIVIA.
Yet you began rudely. What are you? what would you?
VIOLA.
The rudeness that hath appear'd in me have I learn'd from my
entertainment. What I am, and what I would, are as secret as
maidenhead; to your ears, divinity; to any other's, profanation.
OLIVIA.
Give us the place alone; we will hear this divinity.
[Exeunt MARIA and ATTENDANTS.] Now, sir, what is your text?
VIOLA.
Most sweet lady,--
Public-domain text, read in full here on John Shaqi.
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