Twelve Good Musicians: From John Bull to Henry Purcell — John Shaqi
Twelve Good Musicians: From John Bull to Henry PurcellBridge, Frederick
History
Twelve Good Musicians: From John Bull to Henry Purcell
Bridge, Frederick
Musicians -- England
He goes on to say the title Opera is of the Italian, and claims that as
far as his ability could reach, he had written agreeably to the design
of the author, and that the variety of his setting was never in Court
or Theatre till now presented to {94} the nation, "though I must
confess there has been something done, and more by me than any other of
this kind."
Locke evidently considered _Psyche_ as a real Opera and a novelty in
this country. The work was dedicated to James, Duke of Monmouth, who
(the composer says) "gave this life by your often hearing this
practised and encouraged and heartened the almost heartless undertakers
and performers."
Amongst his other works was one called _Melothesia, or Certain general
Rules for playing upon a continued Bass_. This is said to be the first
book of its kind, and he contributed to many other works. Roger North
tells us "Locke set most of the Psalms to music in parts for the use of
some vertuoso ladyes in the City, and he composed a magnifick Consort
of four parts after the old style which is the last that hath been
made."
His life was not long, but it was important, and perhaps the greatest
tribute to his memory was that Henry Purcell wrote an ode commemorative
of his decease "On the death of his worthy friend Mr Matthew Locke,
Music Composer in Ordinary to _His_ Majesty, and Organist of _Her_
Majesty's Chappell, who dyed in August, 1677."
{95}
X. PELHAM HUMFREY
1647--1674
We have all heard of "Single-speech Hamilton," a Member of Parliament,
who, it is said, made a "single speech," and by it achieved lasting
fame. As a matter of history, Hamilton made other speeches, but it was
by the first that he earned his well-known cognomen. And we have a
somewhat similar example in connection with a celebrated musician, John
Jenkins. Born in 1592, he lived until 1678, and wrote, as North
expresses it, "horse-loads of music." He was most prolific and most
celebrated, and yet until a few years ago, when I revived many of his
compositions--_Dialogues, Fancies for Strings_, and _Latin Motets_--not
a note of his music was heard anywhere, save one little piece. But
this was sung in every school where vocal music was taught--it is the
charming little round _A boat, a boat, haste to the ferry_.
The subject of our present consideration is another example of the same
fate. "Pelham Humfrey, Composer of the Grand Chant" is about all
people know of him. This so-called {96} Grand Chant is known and sung
in every Protestant Church in the world. Humfrey is, however, a worthy
member of the band of musicians whose work I am following, and we will
see what else he did besides writing the Grand Chant.
Born in 1647, he is said to have been a nephew of Colonel John
Humphrey, Bradshaw's sword-bearer.
Public-domain text, read in full here on John Shaqi.
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