Twelve Good Musicians: From John Bull to Henry PurcellBridge, Frederick
History
Twelve Good Musicians: From John Bull to Henry Purcell
Bridge, Frederick
Musicians -- England
The entry, however, of a fortnight later is of more interest, as
apparently being Mr Pepys' first personal encounter with him since his
return.
November 15th, 1667. Home, and there I find, as I expected, Mr.
Caesar and little Pelham Humfrey lately returned from France, and
is an absolute Monsieur as full of form and confidence and vanity,
and disparages everything and everybody's skill but his own. But
to hear how he laughs at all the King's Musick here, as Blagrave
and others, that they cannot keep time nor tune nor understand
anything; and that Grebus, the Frenchman, the King's Master of the
Music, how he understands {101} nothing nor can play on any
instrument and so cannot compose; and that he will give him a lift
out of his place; and that he and the King are mighty great. I had
a good dinner for them, a venison pasty and some fowl, and after
dinner we did play, he on the Theorbo, Mr. Caesar on his French
lute, and I on the viol, but made but mean Musique, nor do I see
that this Frenchman do so much wonders on the Theorbo, but without
question, he is a good musician, but his vanity do offend me.
Grebus (or rather Grabu) was the King's Master of the Music. He
displaced Bannister, who was dismissed, according to the historians,
because he championed English violinists and said he preferred them to
Frenchmen. He may have said this, but the real cause of his dismissal
was that he kept back the money which he ought to have paid to the
Private Band! King Charles has often been blamed for dismissing
Bannister on account of his patriotic sentiments and defence of English
players, but this charge is not true.
Returning to Mr Pepys for a record of his next day's doings, November
16, 1667, we find a very interesting reference to Humfrey and a
somewhat scathing criticism from the Diarist:
1667, November 16th. To White Hall, where there is to be a
performance of Music of Pelham's before the King. The company not
come; but I did go into the Music Room where Captain Cooke and many
others, and here I did hear the best and the smallest Organ go that
ever I saw in my life {102} and such a one as by the grace of God I
will have the next year, if I continue in this Condition, whatever
it cost me.
Mr Pepys then records a short walk and talk with Mr Gregory, returning
to Whitehall:
And there got into the theatre room and there heard both the vocall
and instrumentall Music, where the little fellow (Pelham Humfrey)
stood keeping time, but for my part I see no great matter, but
quite the contrary, in both sorts of Music. The composition, I
believe, is very good, but no more of delightfulness to the eare or
understanding, but what is very ordinary.
Public-domain text, read in full here on John Shaqi.
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