On my first visit, as I was leaving, I was introduced to the host just
within his picture gallery, hung with many fine examples of the Dutch
and Spanish schools. I found him to be as described: picturesque and
handsome, even though somewhat plump, phlegmatic and lethargic--yet
active enough. He was above the average in height, well built, florid,
with a huge, round handsome head, curly black hair, keen black eyes,
heavy overhanging eyebrows, full red lips, a marked chin ornamented by a
goatee. In any costume ball he would have made an excellent Bacchus or
Pan. He appeared to have the free, easy and gracious manner of those who
have known much of life and have achieved, in part at least, their
desires. He smiled, wished to know if I had met all the guests, hoped
that the sideboard had not escaped me, that I had enjoyed the singing.
Would I come some evening when there was no crowd--or, better yet, dine
with him and my friend de Shay, whose personality appeared to be about
as agreeable to him as his own. He was sorry he could not give me more
attention now.
Interestingly enough, and from the first, I was impressed with this man;
not because of his wealth (I knew richer men) but because of a something
about him which suggested dreams, romance, a kind of sense or love of
splendor and grandeur which one does not often encounter among the
really wealthy. Those cracked shoes were in my mind, I suppose. He
seemed to live among great things, but in no niggardly, parsimonious or
care-taking way. Here was ease, largess, a kind of lavishness which was
not ostentation but which seemed rather to say, "What are the minute
expenses of living and pleasuring as contrasted with the profits of
skill in the world outside?" He suggested the huge and Aladdin-like
adventures with which so many of the great financiers of the day, the
true tigers of Wall Street, were connected.
Public-domain text, read in full here on John Shaqi.
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