It was not long thereafter that I was once more invited, this time to a
much more lavish affair and something much more sybaritic in its tone,
although I was really not conscious of what it was to be like when I
went there. It began at twelve midnight, and to this day it glitters in
my mind as among the few really barbaric and exotic things that I have
ever witnessed. Not that the trappings or hangings or setting were so
outré or amazing as that the atmosphere of the thing itself was relaxed,
bubbling, pagan. There were so many daring and seeking people there. The
thing sang and was talked of for months after--in whispers! The gayety!
The abandon! The sheer intoxication, mental and physical! I never saw
more daring costumes, so many really beautiful women (glitteringly so)
in one place at one time, wonderful specimens of exotic and in the main
fleshy or sensuous femininity. There was, among other things, as I
recall, a large nickeled ice-tray on wheels packed with unopened bottles
of champagne, and you had but to lift a hand or wink an eye to have
another opened for you alone, ever over and over. And the tray was
always full. One wall of the dining-room farther on was laden with
delicate novelties in the way of food. A string quartette played for the
dancers in the music-room. There were a dozen corners in different rooms
screened with banks of flowers and concealing divans. The dancing and
singing were superb, individual, often abandoned in character, as was
the conversation. As the morning wore on (for it did not begin until
after midnight) the moods of all were either so mellowed or inflamed as
to make intentions, hopes, dreams, the most secret and sybaritic, the
order of expression. One was permitted to see human nature stripped of
much of its repression and daylight reserve or cant. At about four in
the morning came the engaged dancers, quite the pièce de
résistance--with wreaths about heads, waists and arms for clothing and
well, really nothing more beyond their beautiful figures--scattering
rose leaves or favors. These dancers the company itself finally joined,
single file at first, pellmell afterwards--artists, writers,
poets--dancing from room to room in crude Bacchic imitation of their
leaders--the women too--until all were singing, parading, swaying and
dancing in and out of the dozen rooms. And finally, liquor and food
affecting them, I suppose, many fell flat, unable to do anything
thereafter but lie upon divans or in corners until friends assisted them
elsewhere--to taxis finally. But mine host, as I recall him, was always
present, serene, sober, smiling, unaffected, bland and gracious and
untiring in his attention. He was there to keep order where otherwise
there would have been none.
Public-domain text, read in full here on John Shaqi.
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