It was at this time that he built about him in Newark a structure of
friendships and interests which, it seemed to me, promised to be for
life. He interested himself intensely in the paper with which he was
connected and although he was only the cartoonist, still it was not long
before various departments and elements in connection with it seemed to
reflect his presence and to be alive with his own good will and
enthusiasm. Publisher, editor, art director, managing editor and
business manager, were all in friendly contact with him. He took out
life insurance for the benefit of the wife and children he was later to
have! With the manager of the engraving department he was working out
problems in connection with copperplate engraving and printing; with the
official photographer, art photography; with the art director, some
scheme for enlarging the local museum in some way. With his enduring
love of the fantastic and ridiculous it was not long before he had
successfully planned and executed a hoax of the most ridiculous
character, a piece of idle drollery almost too foolish to think of, and
yet which eventually succeeded in exciting the natives of at least four
States and was telegraphed to and talked about in a Sunday feature way,
by newspapers all over the country, and finally involved Peter as an
actor and stage manager of the most vivid type imaginable. And yet it
was all done really to amuse himself, to see if he could do it, as he
often told me.
This particular hoax related to that silly old bugaboo of our boyhood
days, the escaped and wandering wild man, ferocious, blood-loving,
terrible. I knew nothing of it until Peter, one Sunday afternoon when we
were off for a walk a year or two after he had arrived in Newark,
suddenly announced apropos of nothing at all, "Dreiser, I've just hit
upon a great idea which I am working out with some of the boys down on
our paper. It's a dusty old fake, but it will do as well as any other,
better than if it were a really decent idea. I'm inventing a wild man.
You know how crazy the average dub is over anything strange,
different,'terrible.' Barnum was right, you know. There's one born every
minute. Well, I'm just getting this thing up now. It's as good as the
sacred white elephant or the blood-sweating hippopotamus. And what's
more, I'm going to stage it right here in little old Newark--and they'll
all fall for it, and don't you think they won't," and he chuckled most
ecstatically.
"For heaven's sake, what's coming now?" I sighed.
Public-domain text, read in full here on John Shaqi.
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