The day I first saw him he was bent over a drawing-board illustrating a
snake story for one of the Sunday issues of the _Globe-Democrat_, which
apparently delighted in regaling its readers with most astounding
concoctions of this kind, and the snake he was drawing was most
disturbingly vital and reptilian, beady-eyed, with distended jaws,
extended tongue, most fatefully coiled.
"My," I commented in passing, for I was in to see him about another
matter, "what a glorious snake!"
"Yes, you can't make 'em too snaky for the snake-editor up front," he
returned, rising and dusting tobacco from his lap and shirtfront, for he
was in his shirt-sleeves. Then he expectorated not in but to one side of
a handsome polished brass cuspidor which contained not the least
evidence of use, the rubber mat upon which it stood being instead most
disturbingly "decorated." I was most impressed by this latter fact
although at the time I said nothing, being too new. Later, I may as well
say here, I discovered why. This was a bit of his clowning humor, a
purely manufactured and as it were mechanical joke or ebullience of
soul. If any one inadvertently or through unfamiliarity attempted to
expectorate in his "golden cuspidor," as he described it, he was always
quick to rise and interpose in the most solemn, almost sepulchral
manner, at the same time raising a hand. "Hold! Out--not in--to one
side, on the mat! That cost me seven dollars!" Then he would solemnly
seat himself and begin to draw again. I saw him do this to all but the
chiefest of the authorities of the paper. And all, even the dullest,
seemed to be amused, quite fascinated by the utter trumpery folly of it.
But I am getting ahead of my tale. In so far as the snake was
concerned, he was referring to the assistant who had these snake stories
in charge. "The fatter and more venomous and more scaly they are," he
went on, "the better. I'd like it if we could use a little color in this
paper--red for eyes and tongue, and blue and green for scales. The
farmers upstate would love that. They like good but poisonous snakes."
Then he grinned, stood back and, cocking his head to one side in a most
examining and yet approving manner, ran his hand through his hair and
beard and added, "A snake can't be too vital, you know, for this paper.
We have to draw 'em strong, plenty of vitality, plenty of go." He
grinned most engagingly.
I could not help laughing, of course. The impertinent air! The grand,
almost condescending manner!
We soon became fast friends.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account