_Rejoice, because such skies are blue,
Each dawn, above a world so fair,
Because such glories still renew
To transient eyes the morning’s hue.
Such buds on every fruit-tree smile,
Such perfumes blow on every gale,
Such constellated hangings veil
The outer emptiness awhile;
And these frail senses that were thine,
Because so frail, and worn so fine,
Are as a Venice glass, wherethrough
Life’s last drop of evening wine
Shall like a draught of morning shine._
The glories go; their footsteps fade
Into an all-including shade,
And isles and sea and clouds and coasts
Wane to an underworld of ghosts.
But as I grope with doubtful foot
By myrtle branch and lentisk root
Up the precipitous pine-dark way,
Through fringes of the perished day
Falters a star, the first alight,
And threaded on that tenuous ray
The age-long promise reappears,
And life is Beauty, fringed with tears.
DIEU D’AMOUR
[A CASTLE IN CYPRUS]
Beauty hath two great wings
That lift me to her height,
Though steep her secret dwelling clings
’Twixt earth and light.
Thither my startled soul she brings
In a murmur and stir of plumes,
And blue air cloven,
And in aerial rooms
Windowed on starry springs
Shows me the singing looms
Whereon her worlds are woven;
Then, in her awful breast,
Those heights descending,
Bears me, a child at rest,
At the day’s ending,
Till earth, familiar as a nest,
Again receives me,
And Beauty veiled in night,
Benignly bending,
Drops from the sinking west
One feather of our flight,
And on faint sandals leaves me.
SEGESTA
High in the secret places of the hills
Cliff-girt it stands, in grassy solitude,
No ruin but a vision unachieved.
Public-domain text, read in full here on John Shaqi.
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