Twenty Centuries of ParisSmith, Mabell S. C. (Mabell Shippie Clarke)
History
Twenty Centuries of Paris
Smith, Mabell S. C. (Mabell Shippie Clarke)
Paris (France) -- History
The Odéon 290
The Comédie Française about 1785 290
“The Convention,” by Sicard 308
Rue de Rivoli 326
Triumphal Arch of the Carrousel 330
Triumphal Arch of the Star 330
Napoleon’s Tomb 336
The Bourse 346
Church of the Madeleine 346
The Successive Walls of Paris _between_ 366 _and_ 367
The Strasbourg Statue 360
The Eiffel Tower 360
The New Louvre 370
Hôtel de Ville 374
Mairie of the Arrondissement of the Temple 376
Salle des Fêtes, Hôtel de Ville 376
Portions of the Louvre built by Francis I,
Henry II, and Louis XIII 378
Colonnade, East End of Louvre, built by Louis
XIV 378
Section of Louvre begun by Henry IV 380
Northwest Wing of Louvre, built by Napoleon I,
Louis XVIII, and Napoleon III 380
Plan of the Louvre _page_ 382
[Illustration: Map of Paris]
_Twenty Centuries of Paris_
CHAPTER I
EARLIEST PARIS
France has been inhabited since the days when prehistoric man
unconsciously told the story of his life through the medium of the
household utensils and the implements of war which he left behind him in
the caves in which he dwelt, or which his considerate relatives buried
with him to make his sojourn easy in the land beyond the grave. From
bits of bone, of flint, and of polished stone archæologists have
reconstructed the man himself and his activities through the early ages.
Of contemporary information, however, there is none until the
adventurous peoples of the Mediterranean pushed their way as traders and
explorers into the heart of Gaul, and then wrote about their
discoveries. The Gauls, they said, were largely Celtic in origin and had
displaced an earlier race, the Iberians, whom they had crowded to the
southwest. They were brave, loyal, superstitious, and subject to their
priests, the Druids. Their dress showed that they had made great
advance in knowledge over the cave men, for they wore colored
tunics--which meant that they knew how to spin and weave and dye--and
brazen helmets and shields and gold and silver girdles--which meant that
they could work in metal.
Public-domain text, read in full here on John Shaqi.
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