Twenty-five years of the Philadelphia Orchestra, 1900-1925Wister, Frances Anne
History
Twenty-five years of the Philadelphia Orchestra, 1900-1925
Wister, Frances Anne
Philadelphia Orchestra
* * * * *
[Illustration: ENDOWMENT FUND MEMORIAL TABLET]
“Many cities sustaining an orchestra are greatly aided
by the work and philanthropy of one or two men, but in
the case of the Philadelphia Orchestra, the burden of
making up the yearly deficit is distributed among a
number of people.
“The Committee of fifty Chairmen who will meet tomorrow
at the ‘get-together luncheon’ are each pledged to turn
in for his Committee a sum of $20,000. Each Chairman
has a group of co-workers, including prominent social
and philanthropic leaders of this city.
ORCHESTRA’S VALUE TO CITY
“The campaign to save the Orchestra for Philadelphia
has set loose a flood tide of arguments as to the
value of this organization to the city’s life. To
business men the argument that the Philadelphia
Orchestra is a great advertisement to the city will
make the strongest appeal, while to the great number
of people interested in the artistic life of the city
the argument that its pre-eminent place in the world
of music merits their greatest support will naturally
serve to stir them to action.”
* * * * *
“The realization that the possession of an orchestra
of high standing is a great commercial as well as a
great civic asset to a city, has caused a number of
cities to build up an organization similar to the one
Philadelphia already possesses.”
* * * * *
RANKS WITH WORLD’S BEST
“By a most consistent plan of development under the
direction of Alexander Van Rensselaer, the Philadelphia
Orchestra, now in its twentieth year, has earned the
reputation of being ‘the first orchestra in America.’
No less a critic than H. T. Parker, of Boston, writing
in the Boston _Transcript_ says, ‘there can no
longer be any doubt that the Philadelphia Orchestra is
today the first of all American orchestras. In fact, it
may be said now to rank among the five great orchestral
organizations in the world.’ Mr. Ossip Gabrilowitsch,
famous no less as a conductor than a pianist, says that
‘it is now a most important factor in the musical life
of this country, and has set a standard of excellence
which all other symphony orchestras in America, no
matter how famous, must bear in mind, if they wish to
maintain their places in the front rank.’”
* * * * *
“Under Stokowski the Orchestra has made a rapid step
forward. The first performance in America of the Mahler
Symphony, using a chorus of over one thousand singers,
made the whole country ‘sit up.’”
* * * * *
Public-domain text, read in full here on John Shaqi.
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